Interviews

Jetty Rae by E

Catch up with singer-songwriter Jetty Rae and listen to her latest single "Queen of the Universe" off her upcoming album, Can't Curse The Free, to be released in 2017.

What got you interested in music and in songwriting?

Jetty: I kind of started off just as a writer. As a kid in high school, I was the girl who had journals and journals full of poetry and I always had an affinity towards music. I always loved it; I loved listening to it, I loved singing. But people are always really surprised with how I came to it. I wouldn't say I was naturally talented at all, everything that I've had to do has been a lot of work and it's kind of weird, because you hear a lot of people who say that they were just kind of gifted and skilled from the beginning and I had a passion, but I didn't really have the skills or the talent; I was very average, I wasn't tone-deaf or anything, but just a very average singer. In high school, my mom actually started a theater company and I come from a really creative family who has always encouraged me to be creative; my mom bought me my first guitar in high school and I was in a theater group and I was taught a lot about the stage and performing and that's when I really fell in love with the stage. I had a late start as well though, I didn't decide to pursue music until I was probably 19 or 20 and decided, "oh, this is what I'm going to do, this is what I love to do". That's the long, long answer [laughs].

You mentioned your poetry, do you have a favorite poet?

I have a favorite author who I feel is very poetic. I'm a huge C.S. Lewis fan, I love anything he's written. I've read some more modern poets like Rupi Kaur and I liked some of her stuff. I don't really have as much time to read as I used to but, for me, it wasn't so much of, "oh, I love poetry," it was more like, "this is how I'm going to express myself and this is what I need to do to cope with life".

What was the first song you wrote that you were really happy with?

I wrote some songs in high school that my friends really liked [laughs]. They were really fun. There was one called - it's really cheesy - I think it was called "The Love Doctor" [laughs] and the first line was, like, "I am the love doctor, call me if you wonder what to do or what to say" or something. It was just a horrible song but I had some friends who really liked it and they always encouraged that. I would sit in the hallways in high school and be that girl strumming her guitar. It's probably one of the first ones I wrote.

Which musicians have you been influenced by?

My musical upbringing is very random, kind of a smorgasbord of people. I listened to a lot of Christian pop music like DC Talk, Jennifer Knapp; that's the stuff that I grew up on. And then, as I got a little bit older, I started really liking some folkier stuff like Damien Rice and Patty Griffin and I've been a Lauryn Hill fan for a very long time. Also, along with the Christian pop, I was very obsessed with Mariah Carey and Whitney Houston; Whitney at least went in that gospel vein. A lot of random influences in there [laughs].

Is there a new artist from 2016 you're hooked on that you think everyone should listen to?

Yes! I have a friend who makes music in Detroit and we met through music. He followed me in my career and then he sent me an album and said, "I've followed your story, I think it's awesome, I love your music, I would be so happy if you would listen to my stuff," and he sent me this CD with this really nice note and I listened to it. His name is Greater Alexander and he just has this music that makes you feel so good. When I listen to his album Positive Love, it is positive and there's so much positivity in it. I was in a really bad place and sometimes you like sad music when you're in a bad space and I had just entrenched myself in that and when I put his record in I was smiling. I was like, "oh my gosh, this is so beautiful," and he's done lots of projects; he's super talented and super humble and I think everybody should know him. I love his stuff. His latest project was an instrumental - he plays the piano, beautiful piano kind of like a music score - but if you're just finding out who he is, I would listen to his album Positive Love.

What's your favorite Christmas song?

Ooh, my favorite Christmas song. I have to say I really love "O Holy Night", especially all of the verses, there's some just really beautiful lyrics in that song that get me every time and make me tear up.

How would you describe your own sound?

Well it's kind of changing. I would say it's more alternative now, in the past I would have said, "oh, it's folksy or songwriter," I think now it's singer-songwriter/alternative with a little bit of country. People have been saying this album is an alt-country album which is really interesting because it's so hard to identify genres nowadays [laughs], like what exactly you are, because everybody has a different definition. I think alternative singer-songwriter, even alt-country.

What were your inspirations behind your new single "Queen of the Universe"?

So that was written about a friend who had some family drama and she had somebody in her family who was just being super manipulative about money and talking behind her back and just pulling these really big power plays and my friend was really, really hurt about it. Whenever I have any problems in my life I usually sit down with a guitar and I was thinking about her when I wrote it. [Laughs] It was kind of a joke at first and I was like, "this is so funny, it's so outlandish!" 'cause I usually don't write songs that are quite as biting. I penned this as a joke and was like, "let's just make this really outlandish"; my husband helped me come up with the line, "you don't know what you're saying, you need a good spanking" and it was just a really funny joke and I never intended to record it actually. But then I had some friends who heard it and they were like, '"oh my gosh, we love this song!" and I kept having that reaction with the song and my producer heard it and I was like, "yeah, I have this song, I don't know if we're going to do it," and he was like, "yeah, we're definitely doing that song". It was kind of a single that never was supposed to be but I was really happy that people were resonating with it 'cause most of my singles and songs that I release are a little but more serious and kind of sad; they're a little more melancholy and this one wasn't any of those things. I was excited to release something completely new and different, especially for the people that have been following my career since my first super indie record. Just seeing the huge change and the growth. As an indie artist, every record keeps getting better and better and better because you keep learning; you've done everything wrong so many times that each one is exponentially better, hopefully. That's how I feel about this one anyways.

Could you tell us more about this new record and how Can't Curse The Free compares to your earlier releases?

It's very different. It's a departure, for sure. My last full-length album I wasn't the same person, I guess I would say, I've been through some personal tragedies and some life experiences that have changed my songwriting, have changed me as an artist in the way that I express myself. This album is about other people's stories, I've kind of taken a backseat from my own storytelling and my own perspective and infused that perspective into other people's stories. It's more of a storytelling album and all of the songs are, pretty much, about other people. There's a lot of adversity in the album but the main theme is all about rising; it was going to be called Born To Rise In Another Town and I decided on Can't Curse The Free because it's a statement of, no matter what life throws at you - adversities, trials, tragedies - for me, personally, that's not going to change me. I'm not going to become enslaved to depression or hopelessness.

Is there a song off this album that you would say is your favorite to perform live?

When I performed "Can't Curse The Free" for the first few times there was a general electricity in the room, just because it's such a statement song. The lyrics start out, "you want to destroy me, you don't ever want me to climb any higher than my lowest plateaus," and if people are listening to the words they're like, "whoa, who wants to destroy you, who just wants you to stay so average," and it's about an epic struggle. The lyrics to that one, every time I perform that one I feel like it changes the atmosphere in the room and that one I'm always like, "oh I've got to safe "Can't Curse The Free" for the end!" because it's my favorite song to play. That one has gotten such an amazing reception from people as well. They'll be like, "oh, yeah, all your other stuff was good but, man, "Can't Curse The Free", where can I get my hands on that?". I'm really happy that it's resonated because, for me, it's one of those songs that you write that'll never get old for you. It's never not going to be true for me and I'm always going to feel like that; which can't be said for all the songs that I write because you change.

In one sentence, how would you describe Can't Curse The Free?

[Laughs] I'm going to get all hung up on my words because I'm a writer and it has to be really epic.

A passionate cry of the heart for freedom, love, and understanding.

What do you hope listeners are able to take away from your music?

I hope that there's a lot of understanding and healing, those are two things that I want. I want people to understand themselves. I think a lot of people don't take stock of their emotional well-being and what exactly is going on in their hearts and minds; we're so busy and we live in a very consumeristic society where we're just seeing everything: Instagram, Twitter, we're just adding to the noise sometimes. Not a lot of emphasis is put on taking care of your mental state and your emotional state and, for me, when I play these songs and when people hear them, I'd say, I hope that you are understanding yourself better through my lyrics. I hope that you hear one of my songs and finally something in your life that you've never been able to articulate makes sense to you, like, "oh my gosh, that's exactly how I feel," because, all of my favorite songwriters, that's what they do. They write a song, they draw me in with their words, and then they tell me, "oh my gosh, I'm finally able to makes sense of this longing that I have because they just said it so perfectly in a way that I never have been able to". That's what I hope to do for people. Also, just to bring healing. I feel like when you're understood, that allows healing to happen in your life. I wrote songs on the album about child loss, a mom who had lost two sons in a tornado; "Another Town" is a song about being in a place in life that you never would have chosen for yourself and it's usually a circumstance that has happened that you had no control over and, when you realize that other people are in the same place as you, it just makes it easier. It doesn't take away the pain or the hurt, but it lets you know you're not crazy and you're not alone.

Is there anything you want to add?

The whole project was pretty amazing. The people that were involved in it, I'm very humbled and very thankful. The producer, Mitch, we're friends; we were just business acquaintances before this project but now I consider him family. The encouragement that he gave me for this project and how excited he was to come to work every day, it made it so amazing. The last session we did, we were both crying at the end [laughs] we were like, "this sucks," and just crying over a glass of margaritas like, "this is so sad that it has to end!" because it was really, really special. Mitch and the players - I told you I loved the '90s/early 2000s Christian pop and this band, Jars of Clay, a bunch of their members got to play on the album because they're friends with my producer and that was really, really fun. The guy who I got to master the album, Chris Athens, he's amazing. I thought it'd be a long-shot to get him to master it and he did such a good job. He just did Ingrid Michaelson's latest album and he did Coldplay's X&Y album and a ton of other people that everybody would know. I'm just humbled with the team that I have on this album.

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Made In The Shade Records by E

Catch up with Denver-based indie record label Made In The Shade, listen to two of their artists below, and look for much more to come in 2017.

What made you decide to start Made In The Shade?

Justin: It all started as a pipe dream. We're all a group of friends that all came together in Denver and it was one night at a party and we were just think and joking around about it, like, we have the ability to do this, why don't we just try and make it happen? And the next thing we knew, we were getting the papers ready to start an LLC, we were looking for artists, we were talking to everyone we knew who had a connection, and it just slowly started building into what it's become. We've only been around for a year now so we're still figuring everything out, but definitely coming together.

What would you say sets you apart from other labels?

Zoe: One thing that's really important to me is making sure that the artists don't have to make a major sacrifice to be signed to a label, which does happen sometimes with majors. I want them to retain their creative control and still be able to make decisions that they think they need to make for themselves without us interfering too much. Obviously, we're there to help if they need help and will step in if we need to, but we like to let the artist have control and let their vision play out, which I think is the biggest thing that we do. And we work very hands on with all of them, like, they can contact any of us at any time for whatever they need and we'll work it out.

Miles: Yeah, we're very personal and we feel that record labels have kind of got a bad rep and we attempt to fix that.

Patrick: Also we don't do these 360 deals so our contracts are pretty different from the standard.

Miles: Yeah, our main thing is that we want the artist to do the art and when we sign an artist, we sign them because of their art and our main goal isn't the profit - which a lot of record labels look at an artist and they're like, oh, they're super profitable - we look at an artist and we're like, wow they love their art and they're so passionate and we feed that. We want to feed their fire and turn their passion into something that's a reality for them that they can live out with their music.

What type of artists are you looking to sign and promote or is there a type?

Justin: We're not genre specific, we're a diverse label. If you look at our roster right now, we're kind of all over the board; we have a rock artist, rock folk, a pop artist, a rapper. We're just all over the board so, what it comes down to is, it's not the genre, it's not the profitability, it's the art itself, it's the passion. It's what we think is good music.

Could you tell us more about what we can expect to hear from some of your artists next year?

Justin: Yeah, we can touch base on it a little bit.

Zoe: We just signed a hard rock band and they will be putting out an album next year, in 2017. We've got Kyle who's got a lot in store for next year and he's always just go, go, go. We've got our pop artist.

Justin: So our pop artist, we're just finishing up that one. He's been writing and recording a lot of different things and in the beginning of 2017 we'll be releasing music through him - I don't want to say his name, we're keeping it low-key and it's going to be a surprise. We're super excited about that and we're looking to sign with a few more artists in 2017 and grow our roster.

And can you tell our readers more about what they can expect from your music festival, Bonanza Campout, and how it compares to others?

Zoe: I would say that we're kind of going for a cross between the Coachella vibe and the Lightning In A Bottle vibe. It's got more of a boutique festival vibe, it's not big, and it's very personal. There's a lot of stuff that's offered, a lot of different activities and stuff other than just the shows. I will say that this years' line-up is definitely going to blow last year's out of the water. So, tickets now everyone.

Miles: Yeah, it's a tight-knit festival and it's in a beautiful area out in Utah and it's really going to grow I believe. And like Zoe said, this years' line-up - when you guys see it - is going to be really pretty awesome. We're pretty stoked on it. Made In The Shade has their own stage there and we put our artists on there, and we're very excited to see some other big artists play that stage, and we look forward to seeing where Bonanaza grows and becomes.

Do you have plans to start any other festivals?

Zoe: Not as of now, but we do have plans to expand Bonanza into other areas in the future.

Do you have a favorite music video of 2016?

Zoe: Favorite music video... Okay! I will say my favorite music video of this year is the video for Sturgill Simpson's cover of "In Bloom" because it's so weird. I'm not kidding I watched that video, like, 50 times this year.

Justin: I really like - it just recently came out - The Weeknd's - it was like that trilogy thing - "Mania" but there's been so much good music out this year it's hard to pinpoint one.

Zoe: Also, any of The 1975's music videos; they really killed it this year.

What do you hope that artists and other labels are able to take away from your label's ethic?

Justin: Well first thing for me, what I want to see, I feel like in this day and age people are so the next thing, the next thing and next thing and what's the top song or something. For me, I want to see people getting more into listening to a full album and really getting into an artist and I think there's those top pop artists that people are like that for but, other than that, it's just you've got one hit and then people are onto the next thing. So I want to see people really investing in music and seeing that from us. If we're going to be putting out music that you want to listen to all of it, that you wanna research about that artist and look into their lifestyle. It's a whole thing instead of just what's up next.

Is there anything you want to add?

Justin: Just that we're super excited about 2017. We have a lot in store for everybody and I think there's going to be a lot of growth in Made In The Shade in this next year as we take on our second year in business and just look forward for everything and stay shady.

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James Patrick Morgan by E

Catch up with singer-songwriter James Patrick Morgan and listen to his single "Expected" off his upcoming EP, Art + Work = Love, to be released in 2017.

What got you interested in songwriting?

James: I think that I've always enjoyed writing, period. I kind of entered into various essay competitions where my teachers would like what I did and would enter some of those things in and I did well and I think it's always just been a part of my expression, the artistic level. I just love the cadence and how it all flows together, it's almost like a mixture of the mathematical side mixed with the catharsis of all the emotion that's involved. I love songwriting because you get both that emotional aspect plus the satisfaction of seeing how things piece together. I do it in both directions.

Do you remember the first song you wrote that you were happy with?

[Laughs] Truth be told, I don't think I've ever been completely happy because my brain is always trying to turn these songs around and find a new way to re-imagine them. I love all the things that I do, obviously they have some sort of meaning - and especially this project, I've been very, very grateful to have songs that sound like me, like when I perform live - so I would say out of all of my songs, I've enjoyed writing them all and I don't even remember the first one that I did... Probably trying to make some friends in college, trying to show off or something. In the end, I think this has been the first time that I've ever felt really confident in what I'm presenting.

Which musicians would you say you've been influenced by?

Oh goodness. Just being a cover artist for so long and having the original stuff on the side, I have so many sounds that have gone into my head. I always reference the old classics like Sam Cooke, Ray Charles, just the soul of it and the combination of the full voice and the falsetto and then you have just that raw flavor. Guitar-wise, I was learning how to play guitar right in the heyday of John Mayer and at the end cusp of Shawn Mullins and people like that, The Dave Matthews and the Jack Johnson. I would say more recently, in the last 5-10 years, I really enjoyed The Killers and I really enjoyed Justin Timberlake. I don't view them on the same genre side, but I just like how they perform; I like creating energy and seeing how they interact with the audience - and people like Bruno Mars, as well. They've kind of influenced me in the live music aspect.

Is there an album from 2016 you think everyone should listen to?

I don't really know how many complete albums that I've been able to purchase! I do know that I bought a ton of individual singles and I'm enjoying, thoroughly, The Weeknd and some of those collaborative efforts with Daft Punk and enjoying that, as well. Always going to have to give a little bit of acknowledgment to him because I just love the production quality in all that he does there. Even though my music doesn't exactly sound like that, it kind of gives me good aspirations.

What song are you most likely to be listening to during the holidays?

I have a weird love for Harry Connick Jr., honestly. [Laughs] I don't know why, but I think it's that old school mentality and how he incorporates the big band into it; I really do like some of his renditions. And actually, I also own an old Ray Charles Christmas album and it has that song from Christmas Vacation with Chevy Chase "The Spirit Of Christmas" and that all kind of brings the nostalgia back to me, so I'd say those two are my favorites.

Which words would you use to describe your own sound?

I think the genre that you'd probably go with is pop soul with a hint of R&B, that's kind of how we've been describing it. It's very eclectic, there's a lot of things like, oh I hear this in there and I hear this in there. This is very much a sound specific to me, at least I feel that way. I'm sure that someone else could probably have a similar element here or there, but at least I finally feel like I've found what I sound like. I always love singing with soul, I always love just being able to rotate between the aggressive full voiced tones and then the high falsettos and showing a full vocal range. So I think that's one of my favorite aspects. But I mean, pop is all-encompassing for so many reasons, so pop is the underlying main one.

What were your inspirations behind your single "Expected"?

I just wanted to do something a little more soulful because a lot of what I do at shows has that R&B element, when I do cover shows. I wrote "Expected" a few years back and it doesn't sound like it sounds today; there's always that refining process and you always have your initial ideas of what you want it to sound like and then everything changes. Probably feeling like that old, classic, soul, Stevie Wonder horn section kind of thing mixed with a funky type of guitar, probably even going back to those first influences on me: the Shawn Mullins, the John Mayer, the Dave Matthews, and whatnot. Just combining all of those elements. What I love about funky acoustic guitar mixed with funk horns.

Could you tell us more about your upcoming EP, Art + Work = Love?

It's a fantastic representation, I think, of what I do live. I gave a sample of one of the tunes that's not even been released yet and I played it live and they were like, wow, that sounded very much like exactly what I just heard. It made me feel really good that we captured that, because that's what I've been wanting to do for so long, to give an accurate representation. I think that the title is very expressive of how I view music and I think people want to do so many awesome things with their art and their creative aspects, but they forget that it's work; it's not just saying, I'm going to make a name for myself and go out there and be an overnight success - which happens so rarely - it really just involves dedication to the max, to the point where sometimes it hurts. So, Art + Work = Love is not just music, it's also all the things in life. You're going to have a relationship, it's going to have to have some sort of creativity, you can't just sit on your ass all day, you've got to put forth the effort and you can't just be yourself and expect to be loved, you have to have a little action to it, as well. All of life I think is summed up in that [laughs] to give my little philosophy. And the songs are all fantastic, I just think they're all at least giving nods to what I sound like.

Is there one song off the EP you would say you're most excited to share with listeners?

Yes. As much as I love "Expected" - I think it's probably going to change a thousand times, even before the release [laughs] - I would say "Alone", which is number 2, is a fantastic song with a really good energy. As far as on the hype level, I think it's going to be one of the songs that somebody's going to want to run to, to workout to, they can listen to it in their car when they're on their way to something and tap the steering wheel to because it's just a fun song. As far as the finesse aspect, I think they'll like "Sign Language", the 3rd one, because it shows a higher vocal range for me and it's a little more delicate, yet it's got a piercing element to it - it's not shrill, it's just very clean and it cuts through and I love that. I think that is probably between those two, at this moment.

How would you sum up Art + Work = Love in one sentence?

I think it's worth listening to because it can compete with much of what's out there on the radio right now and I feel confident behind what's there; there's always someone trying to show you their music and I think there's a lot of great choices our there, a lot of awesome people always giving stuff, but I feel like mine can cut through to the real music listener and people will appreciate it.

What do you hope listeners are able to take away from your music?

I hope that they'll take away, one, a purchase [laughs]. No, I really do hope that they feel something, and I've said this since the get-go of this project, as a musician you people watch all the time and part of your job is you're mainly a social figure and you have to go around and talk to people and you can see how standoffish some people are and you can see how excited other people are. With anything in this life, I hope that somebody will feel something; that they'll feel an honest emotion. Maybe the story will relate to someone and they can actually feel the angst behind one of them or they can feel the happiness or the hope. Maybe they're going through the same thing that I was going through when I came up with this idea and this will give them the words that they need to be able to say to someone and to actually have human interaction. Maybe their heart can be stirred to being alive.

Is there anything you want to add?

Thank you very much for even taking the time to talk to me. I just love that people are even taking the time for this stuff because I've had situations where I've been treated like the radio in the background - when you're playing a cover show - and it's so different now to be approaching a level where you're actually saying, hey, you're going to be noticing me and focusing in on the music for the love of the actual music, not just because I'm playing at a place where they're serving beer and hot wings. This is the best part to me, that these interviews are happening and that people are starting to take notice of something and it's real and it's a goal.

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Year of Suns by E

Photo by Michael Racanelli

Catch up with Los Angeles-based Year of Suns, a new project from singer-songwriter Chris Matthews, and listen to single "Plain Sight" off his debut EP, Songs For Silence, out now.

What got you interested in music and in songwriting?

Chris: I basically started playing music in sixth grade. There was a music program and everybody had to play an instrument, it was mandatory, and this was in elementary and middle school in Miami. I picked up the saxophone 'cause I kind of wanted an uncool instrument, everybody was going for guitar and drums and there was a bit of competition there so I was like, you know what, no one's really going for the saxophone [laughs] I think I'll just pick that up. And then I had a buddy that was playing clarinet and so I thought I would play clarinet - so obviously there's a little bit of a trend here. And then, from there, I asked the teacher if I could take home a guitar for the weekend - because we were allowed to take our instruments home - and I took home a Squier Fender and had no idea what I was doing with it, I just knew that I was intrigued by the instrument for one reason or another. I actually didn't have a love affair with it. A buddy of mine, I brought it over to his place and he was fascinated and he started playing, which then sparked my interest. That's really the early onset of my guitar playing, but I really was interested, I think a little bit more, in drums, so I played drums for a couple years and then decided to get back into guitar and was never very technical. I think, when you start off as a guitar playing, it can be daunting because you think you have to be the most technical dude in the world when you're in 7th or 8th grade thinking, 'well, I think the more technical I am, then the better guitar player I'll get to be''; so I wasn't good at memorizing songs and I wasn't good technically, but I somehow managed to start writing songs and that's where I realized, you don't have to be the most technical guy in the world if you can write some songs. And that they could also be simple, they didn't have to be crazy, technical, complex pieces.

Do you remember the first song you wrote that you were happy with?

I think it wasn't until, man, maybe 10 years later. I'd written a song called "The Hummingbird" - which still hasn't properly been released - and that's when I was like, okay, I'm tapping into something, I'm proud of this; which is a rare feeling for me.

Which musicians would you say you've been influenced by?

Oh my gosh, there's a whole range. I think the first spark was definitely Pink Floyd, especially David Gilmour, the guitar player, because he was emotional and he got his point across without wasting any notes and he was the first guy I was fascinated with. And then from there, I eventually found Radiohead and Thom Yorke was a little bit more of a multi-instrumentalist compared to Gilmour who's this singular guitar player. And Thom Yorke really blew the lid open for me, in terms of getting into more challenging music. From then on, I found indie folk music, guys like Justin Vernon and Sufjan Stevens; and then I found more classic folk artists like Nick Drake and Joni Mitchell. So those have all been a major influence, as well as James Murphy who I don't think has had an influence much on the music, but just his approach to LCD Soundsystem and combining a lot of different influences, I strive for that as well. It's a pretty wide range of influences.

What would you say is the best album released in 2016?

2016 was a tough year for me, musically, as a listener and a consumer because I realized that, actually, too much of a good thing is probably not that great, specifically with regards to some of these music streaming platforms. But I think what might have stuck with me most was A Moon Shaped Pool by Radiohead, but I was even struggling with that. By that I mean, there's so much music coming at you and instead of getting into albums this year, I was trying to find a way to consume music with a methodology, to stick with something and not feel like I was dabbling in a million things. Radiohead probably kept my attention more than anybody else. I've been trying to come up with different ways of making that experience immersive, because it's been a real struggle for me. The big thing I found was taking Spotify or whatever off my phone and just having it on my computer, so that's been a big help actually and now I actually miss music, like I haven't missed music in such a long time.

How would you describe your sound to someone who had never heard your music?

That is a tough question. I think I can say these are the people I love, referring to those influences before, but I don't even know if it's quite along those lines. If you were to take a little bit of Nick Drake, a little bit of Fleet Foxes, and Elliott Smith, I think you would get a good representation. But the sound itself, I'm not exactly sure how to describe it.

Could you tell us more about your debut EP, Songs For Silence, that was just released?

Sure, I mean, Elliott Smith is definitely all over it - early Elliott Smith, specifically. As well as a newer artist by the name of Angel Olsen; she had a record called Burn Your Fire For No Witness and that was a pretty big influence from whenever it came out, 2014, on-wards. So I think people will pick up a little bit on that, but probably more so on the Elliott Smith along with another group, I believe they're from Sweden, by the name of The Radio Dept.; you can hear a little bit of that as well as Yo La Tengo with some of the more atmospheric stuff that appears on the record. Yeah, I think that's what they can expect.

Was there a track off the album you were most excited to get out there and share with people?

Definitely "Plain Sight". On EPs, you don't often find an arc. It's just like, here's a bunch of songs but I guess this EP is properly constructed like a mini album, there's two bookends - the first track and the last track - and then the core stuff is kind of in the middle. But then "Plain Sight", I think, with its drony guitars - kind of My Bloody Valentine-inspired guitars - there's a lot of textures there and it's not a traditional pop song by any means. I don't know if any of them are, there's some verse-chorus-verse-chorus stuff, but this one's just kind of linear and it becomes explorative and all those textures and sounds and stuff that you hear on top of the guitar and the vocal were done by my engineer, David Burris, who's highly musically inclined. He's not just an engineer or producer, he has a hand in the production and the engineering but also in the songwriting and I like the idea of letting him do what he will with a track. I'll literally leave the studio and let him do whatever he wants and most of the time it works out. So, "Plain Sight", for sure.

In one sentence, how would you sum up Songs For Silence?

A longing for simplicity. [Laughs] That's probably it.

What do you hope listeners are able to take away from your music?

It would be nice if they found that it was authentic, I think that's important. That I'm not trying to pull a fast one on anybody, I'm not trying to hide behind anything; if that's really apparent to people and they can connect with it in that way, then that's, I think, the best connection that somebody can have with the record is that what somebody is saying is something that they mean and there's no pretense in any way.

Is there anything you want to add?

I think there's plenty to come next year, as well as this week. There's a video coming out for "Plain Sight" which was shot by Danny Pollack over at Ataraxy Studios and that'll be premiering on Myspace. I have some more music pretty much ready to go for next year, it's all about just packaging it up. I'm particularly excited about this next batch of songs because they've been around for a long time and it's been about getting back to them and coming full circle, so I think that's what I'll be doing next year.

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