Minor Soul by E

How did your name, Minor Soul, come about?

Jack Wagner: I think we came up with it about five years ago, just when we were putting the band together. Max and I, we grew up in Hong Kong and we'd sort of been playing music our whole lives; Max had been a theatre kid and I was mostly just playing songs in my bedroom and hiding them from everyone else. The name Minor Soul came about when we were at dinner and we realized that we wanted to do a band together and it sort of came about when our dad saw Max playing video games and he saw the words 'minor soul track' and he thought 'that's a pretty cool band name' and so, at dinner, we decided to take off the 'track' and just kept it at 'minor soul'. And, for us, Minor Soul is really meaningful because it's sort of what our music is about, being young at heart; it's accessible to everyone and it just means that we have young souls, and that's what we try to convey.

Which words would you use to describe your sound?

Jack: Yeah, so, I guess the genre would be kind of a pop folk kind of thing. It used to be more acoustic based and now it's kind of acoustic and pop, it's kind of a mixture of the two. Definitely contemporary, as well as being kind of classic, in a sense, because a lot of our inspirations are, you know, Simon & Garfunkel and The Beatles, as well as having more contemporary influences, so it's kind of a mixture of classic and contemporary.

You've mentioned some of your classic influences, what are some of the contemporary bands you're influenced by?

Jack: Well, Max and I have actually quite different musical influences, but there are a few bands that I think we share as being really passionate about and as being well modeled to us. There's an English band called King which we both think is just one of the greatest, and they're a contemporary band. Also, Coldplay, especially the first four albums, we were just obsessed with and, you know, in terms of the differences, I listen to more alternative music - my favorite bands are, like, Bon Iver and Radiohead - and Max tends to listen to more pop and, Max, you can say what your favorite bands are.

Max: Yeah, I mean, we also have several bands that we both enjoy, you know, Coldplay, like Jack said, and King, but definitely, kind of walking down the street, I'll pop on some Top 40s. Everything from Katy Perry to Tiesto to Ed Sheeran and all of those guys, I love them.

Are there any tracks you guys are hooked on now?

Jack: I'm obsessed with Justin Bieber's new album. I can't stop listening to it.

Max: Yeah, I think he's awesome.

Jack: He's really made a massive comeback. I mean, "What Do You Mean?" is like the song of the year, absolutely.

Max: Yeah.

When you're writing and working on new tracks, where does your inspiration come from?

Max: It kind of comes from all over the place, you know, we don't sit down and think, 'okay, this song's going to be a happy song' or it's going to be about someone who has finally found the love of his life or something like that. It really just changes from what mood we're in and kind of where we are, what we've just done; if we're on holiday on a beach, the likely song will not be a sad one, it'll probably be a happy one, just from natural experience. Definitely, we also draw inspiration from things we talk about, from things in our life, you know, all the songs have a personal meaning to us, especially on the Tiger album.

Jack: Yeah, and it varies from love based sort of experiences that influence the music but also a lot of the songs that Max and I wrote on Tiger are about our experience in the music industry and just, sort of, working through challenges and finding ourselves and sort of reminding ourselves of who we are and all those different themes that he and I share.

Do you guys have a favorite track from your Tiger album?

Max: I think we both loved "Charlie Chaplin" as well, which is the first single, and I think we loved that just because it's a very dynamic song, in terms of songwriting as well as production. Then, I think a couple of personal favorites are "Summer Nights" for me and "Walls and Ceilings".

Jack: Yeah, and for me, "Babylon" on the Tiger album is my favorite.

What's the best response you've heard since releasing the "Nothing At All" video?

Max: I think, you know, it's been a really, really positive kind of couple months since we released it. It's definitely just very happy and it's a different video, it's quite creative, which we did a kind of green screen thing with it and a lot of the fans are saying how much they enjoyed the creativity and the storyline.

Jack: Yeah, and I think what's most important is that, a lot of our music videos and songs before this were quite heavy songs, sometimes sad songs, and so we're just super happy that this video is just making people happy. It's very lighthearted and it also carries a lot of meaning to it, so we're very proud of it.

What do you hope listeners are able to take away from your music?

Jack: I think that, from our music, I would love for people to sort of take away sort of rediscovering what it is to have really great acoustic music with vocals and songwriting and, sort of, the old fashioned sort of Beatles style songs that we try to achieve, while also not feeling like it's just listening to their parent's music, and I think we are able to bring the youngness, because we're both young kids, and the influence from really classic bands into a day and age where most radio is dominated by bands and pop - which we love, as well - we also want to bring a new dimension and some of the acoustic songs and classic songs back to mainstream.

Max: Yeah, and I think we also kind of want to make sure that our songs vary in subject material, so it's not always sad, it's not always happy, and, as humans, we experience tons of different emotions all the time, every day, up and down and everywhere, you know? So, the songs are all very dynamic in terms of what they talk about and we want there to be a song to describe every moment that you have, for if you've just gone through a tough break-up or if you've just found love. There's got to be a song for everything, so that's kind of my goal, at least.

Is there anything you'd like to add?

Jack: We're working on album number three and we should have some new singles out probably next year.

Max: Yeah, and we really, really hope everybody enjoys the video.

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David Ryan Harris by E

Photo by Shervin Lainez

Photo by Shervin Lainez

What first got you interested in music?

David Ryan Harris: I've just always loved it. My parents loved music and had music playing all the time and my mom really loved Chicago blues and my dad loved jazz, so there was just a record on the turntable all the time.

Do you remember the first record you bought?

The first record I bought was a record called "Groove Me" by King Floyd, but the first record I ever had was The Jackson 5's "ABC"; it came on the back of an Alpha Bits box.

How has your sound evolved from the work you did in the '90s to this latest album?

Probably a bit more personal and I like to think I can get to the ideas that I had in my head a little more quickly, a little more successfully; trying to get from ideas to actual songs, I think I'm better at that. I'm a lot more interested in telling stories than I probably was when I was younger, I just really didn't have great stories when I was younger. You know, I was a kid, what stories am I possibly going to tell?

How would you describe your sound, as it is now?

I'm a soul singer that references everything from Radiohead to Bill Withers so, you know, I do lots of different stuff, but I'm a soul singer so it all kind of comes out with definitely a tune of soul music.

Are there any artists you've taken inspiration from?

So, so many, so many people. I like to say, I feel from pretty much anything that I hear that I feel like is authentic, so it can be anything from Jeff Buckley to Jay Z to Hank Williams Sr. to Loretta Lynn. Anybody that's telling stories, I'm going to draw a lot of inspiration from and, you know, the great singers like Aretha Franklin, The Beatles, I keep them all; I like to think a little bit of all of that rubbed off in some way.

Have you got a track on repeat now?

I just did this big drive around the country and I don't think I really repeated anything. It was like a really great opportunity to kind of dig through as much music as I possibly could with all that time in the car because, you know, being at home, you don't really have as much time to listen to music, so I was just powering through so many things.

How would you describe your LP, Lightyears, as a whole?

It is, I like to think, a soundtrack to my life and just the idea of coming through a dark period into something that is hopeful and light.

You're on tour now, what makes for a really great live show?

A great rapport with the audience. If the room is small enough, you'd like for more people to feel like they're in their living room and, once you get a little more larger rooms, I'd like to, obviously, you want the audience to wish that they were on stage, but, like, in a very involved way; at least, at my shows I like to, sort of, involve people and just make it seem like I'm letting them in on my process. So, lots of laughs and then some stuff that makes you cry and some stuff that makes you dance, it's just, hopefully, a whole journey.

What do you hope listeners can take away from your music?

Hopefully my stories resonate with someone else and they feel like - there's nothing like hearing a song where somebody is singing about a situation or emotion that you have that you just couldn't quite put words or music to - so, hopefully it does that to someone. That's my biggest hope, that my stories tell the truth and my stories and songs resonate with someone enough to give them a little bit of joy or just to let them know that they're not alone.

Photo by Shervin Lainez

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The Naturalists by E

What brought you all together?

Travis Perno: Craig and I are twin brothers, so we've obviously been together since birth. We played in a few local bands as teenagers together so the chemistry musically has always been there. Zach jumped in the mix after his former group disbanded. The three of us decided to move in together, form a band. That was basically the birth of The Naturalists.

Why choose the name 'The Naturalists'?

Honestly we never really gave too much thought to the name, we figured our music would speak for itself. Craig came up with the idea in the shower, it just kind of stuck.

Are there any bands or artists you're influenced by, either individually or as a band?

We're all super diverse in terms of music we listen to. Craig's probably the most open to new music. Specifically, Bully right now. I'd say he's most influenced by bands like Pavement or Krill. Zach loves his Hank Williams Sr. and any other outlaw country. I like to listen to anything from Biggie to James Brown to Alabama Shakes. We draw all sorts of influences to create our sound I think, while still maintaining an alternative sound.

Any tracks you're hooked on now?

Right now we've been into Alvvays, their self-titled album is amazing. "Pinkerton" by Weezer has been on repeat in the van as well. 

How would you describe your sound?

We tend to write songs that are simple and easy to get stuck in your head. We keep it raw and give as much energy as we have during our live shows.

Could you sum up your latest EP, Home Honey, I'm Hi, in one sentence?

Eccentric songs with unique vibes, coming together for a consistent sound.

Is there a track off the EP you're most excited about?

We've had really positive feedback from "Fortune, Always Turning". I was definitely the most excited about that song.

What do you hope listeners can take away from your music?

I obviously hope that anyone who listens to our music enjoys it, but I want them to be able to interpret the songs and the emotions that they evoke in their own way because these songs have a message that are relatable.

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Cheryl B. Engelhardt by E

What got you interested in music?

Cheryl B. Engelhardt: I've been playing the piano since I was, like, two and a half years old, so it's sort of been a constant the whole time.

We had a recording studio and thought it would be good to put together a band and use the space, after hours, to record, and that studio was a composing house writing music for commercials, which was something I was doing there. I was kind of doing both while I was working at that jingle house and left there to do the full-time touring thing and make another record and sort of came back to freelance recording for jingles and incorporating that into the independent musician's lifestyle.

Which artists do you take inspiration from?

I really love Sara Bareilles; I met her about a decade ago and we sort of stayed in touch and so I've kind of followed her career really carefully and we sound the same and we kind of look alike, so she's sort of someone that's always been on my radar. But, going back to my youth, I listened to a lot of classical music, mostly because I was playing a lot of classical music. I kind of liked the man bands in high school, you know, like, Dave Matthews and Vertical Horizon and The Goo Goo Dolls, you know, not quite the boy band, but I called them the man band. And then, I had a couple mentors where I really loved their composing style and arranging style and one of them is Rob Mathes and he just did the orchestration and everything for Sting's musical on Broadway and he works with big orchestras and also writes amazing music and he's sort of someone that I've been also following and talked to and see as a musical influence/mentor.

What type of songs are in your playlist now?

I'm not listening to a lot of music right now, I'm kind of in mix mode for my record so I just, kind of, keep my ears clean when I've got to listen to the mixes and mastering. Yeah, I'm really not listening to a lot of music right now.

Instead of sitting and listening to music I actually watch T.V. and I like watching the commercials in-between because, when I'm writing music for commercials, I like to see, what are the sounds that are popular or what are the trends? I listen to T.V. shows' music and who are the music supervisors and kind of looking at 'where could my music place?', and that's part of the research I do to see, 'okay, I know that this show uses music like mine,' and so then I'm not barking up the wrong tree when I do go out and make pitches for placements.

What words would you use to describe your music?

I would say it's pop, which is a big umbrella genre, specifically very singer/songwriter, very vocal based pop. Some people call it adult contemporary, but, yeah, I would say singer/songwriter pop. This particular album is all duets and there are a lot of really different, cool voices on there, so it's really meant to bring out the voices that are on the record.

Can you tell us more about your site, In The Key Of Success?

It's a website that I started. I created an eCourse and some musician resources that were things I wish I had when I was just starting out or when I was sort of hitting plateaus out touring and whatnot. I got some advice from someone after they heard me speak at a music conference, they said, 'you should write a book,' and I don't write books and I wrote this eCourse and it was pretty successful and a lot of musicians bought it and really loved it and got a lot out of it, so then I started to develop some live workshops - but, over video chat type courses - but the one that's the most popular and that I really love working on is called MX4, which is the branding and marketing, moneymaking masterminds that I created, and that's like a six week on-line course people can do.

You're working on your album Inevitably, how would you describe the album?

The album is all duets in the singer/songwriter genre, like what I just said before.

And what was the inspiration for your latest single?

I had this little musical idea in my head and I couldn't figure out how to turn it into a song so I reached out to a friend of mine, Cameron Ernst, and we sort of talked about what was going on in our lives at that moment, which is kind of how I start all of my co-writing sessions, by asking someone else what's going on for them, try to find some common ground, and we ended up writing this song about finding your love and, for me, it was finding, you know, when am I going to see my father again who had just passed away and, for him, it was when is he going to find his true love, like, the one. We saw that there was this universal theme of, like, hopeful, you know, I'll find this person if they're out there watching me or waiting for me; it's a very positive spin on that longing.

What do you want listeners to take away from your music?

I think hope is kind of the word that I get a lot; that there's hope for yourself in a career that you're choosing, just sort of see that it's possible to be an independent musician making a full-time living off of music, so just, as with what I'm doing, I want people to see that process, and I'm very open about sharing that process.

But, from the music itself, I think that, you know, you can hear that there are some struggles going on, but there's a way to overcome them; I think that would be great if people got that.

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