Drawing North by E

Catch up with Ethan Sharp, Chad Barnier, and Jake Allen of Drawing North to see what's coming next from the Australian five piece and look for their album, El Dorado, to be released later this year.

What brought you all together?

Jake: Drew, our drummer, and I have been best friends since we were three years old and towards the end of school, he decided to start a band with our singer, and he kind of just slowly roped us all into it.

Chad: [Laughs] He's been regretting it ever since.

Jake: No, no, no. So, we've just been old friends.

Why choose the name Drawing North?

Chad: Well, Drawing North just seemed to symbolize a lot of things that we wanted to represent as a way of striving for more and kind of pushing through any struggles. And, it's originally a play on words from our drummer's name, but we kind of thought it encompassed everything that we wanted to represent.

Which artists or bands have you been influenced by?

Ethan: Especially our stuff at the moment, One Republic, I think, is one of the main bands. Maybe bands like Imagine Dragons or The Script, we're kind of delving into that pop scene but we still have the elements of anthemic rock, at the same time. Earlier on, about five years ago, we were doing more kind of pop rock, pop punk stuff, but it's developed into more of an anthemic kind of Coldplay pop band.

Which words would you use to describe your sound?

Chad: Anthemic pop or stadium pop rock, I guess. They're kind of easy lyrics to latch onto, nothing too convoluted. Yeah, anthemic radio pop.

What was the inspiration behind your single "Ars Amatoria"?

Jake: Yeah, so Drew wrote that and he started writing that when he was in London and it is actually about the story of Guinevere and Lancelot. So, Guinevere leaving Arthur for Lancelot and then they find out about it and they try and flee the city and Guinevere gets caught and then Lancelot comes back to save her. So, it's kind of about love and relationships and everything going wrong.

Chad: There's forbidden love inside of that.

Jake: Yeah, kind of forbidden love and it's actually, personally, one of my favorite songs. And, Ars Amatoria is the Latin art of love, a book about courting, so we just thought the name fit the song.

Do you have a favorite track to perform live or a favorite from this forthcoming album?

Chad: I think most of us have a different favorite track from the album, which I think is really cool, it kind of speaks to different people's tastes in music, but they all kind of come together with a pop sensibility. My favorite would either be "Ars Amatoria" or "Carry On". I know some of the guys here will have a different answer to that.

Ethan: Yeah, we just recorded a brand new song that's going to be on the album called "Piece of the Light"; that's up there for me, as well as "Carry On", is my favorite live.

Jake: I think "Save Your Love" is one of my favorite songs to play; it's definitely our danciest, catchiest big song, and it's our next single coming up for the Australian Summer, so we will be releasing that in the next few weeks. And, also, "Ars Amatoria" is one of my favorite songs on the album, I honestly have to give credit to Drew, it's one of my favorites, just hands down - or period, as you guys say - yeah, it's one of my favorite, favorite songs.

"Ars Amatoria" is off your forthcoming album El Dorado; how would you describe this album?

Jake: Our new album is very relatable, even if you don't like pop or don't like that genre of music, there are so many different styles of songs you're probably going to like something about it.

Chad: I think, in terms of storytelling, it is incredibly representative of the last three or four years of us as a band with everything we've been through and different relationships we've had, but the lyrics are not too specific enough that no one can latch onto them, so I think that people can put their own stories and interpretations into the songs.

Ethan: Yeah, definitely. There's some very folk like guitar influence in some songs, it's very diverse. I guess there's similarities in, obviously, the vocal style, but we've just changed the production a lot, which is kind of refreshing and a lot of artists seem to be doing that these days, as well.

What do you want your fans or listeners to be able to take away from your music?

Jake: I think one of the biggest things, as a band, that we kind of strive for is to really affect people, like one of the most rewarding things is when a fan messages you or the band and tells us how much our music has affected their lives or changed them or helped them in a way. So, that's probably one of the biggest things we aim to do with our music, is really just impact people. Over the past years we've been a band, we've had a lot of people come out and say how we've helped them with our music and that's probably the biggest thing we want to give to our fans, is like a piece of us in this album.

Chad: I think it represents a lot of what we want in life and the freedom to express that and it hopefully rings true in the album and helps people to not be afraid to express themselves in bad times or in great times.  

Ethan: That's definitely one of the cool things in the album.

Is there anything you'd like to add?

Chad: We just found out that we'll be performing at SXSW. We'll be coming back to America, after a short trip home, in March, so we'll be doing a few shows over there in Austin.

Jake: And we'll definitely be promoting our new single "Fire Eyes" and also "Save Your Love" should be coming out in Australia as a Summer single.

Chad: Which will be pushed by Universal who we're signed with in Australia.

Ethan: Also, just our sessions in America have been amazing so far and I just want to say thanks to everyone who's been with us since arriving here and everyone who's come to a show.

Jake: Yeah, we actually love coming to America and playing. We're so well received and everyone is very welcoming and it's very refreshing. [Laughs] It's very different from Australia; we love playing for you guys.

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Jack Berry by E

Catch up with Nashville based rocker Jack Berry and look for his forthcoming LP, Mean Machine, to be released Spring 2016.

What got you started in music?

Jack Berry: That's hard. I grew up in a religious family that sang in church, so I guess that's where it started, singing with my grandma in church, but that didn't necessarily get me interested then; I guess it took a lot longer than that. The Beatles, I guess, and Rage Against The Machine were my first loves in music and that kind of actually started an infatuation.

Which other musicians have you been influenced by?

I'd say everyone from Elvis to Ben Harper. I'm a really big fan of funk music - Monophonics, Parliament, Funkadelic. I love Queens of the Stone Age and The Arcs' newest records. Jack White's whole neighborhood of sound is killer. The Dead Weather, Raconteurs, Allison Mosshart. Then the opposite end, I love classical piano or even old Elvis gospel.

You said you collect records, do you remember the first record you got?

I don't know what the first one that I got was, but I was raised by my grandparents on a horse ranch and they had a huge, armoire sized record player in their basement, but they only had three records: it was Elvis, The Jungle Book, and then some random church gospel compilation record, and those were the only three records that they had. So, when I would be in the basement playing around or doing whatever, we'd put on the records and it'd usually be one of those first three.

I read you were part of a duo, why decide to go solo?

It wasn't a duo necessarily. I wanted a bass player at the same time but I couldn't find anybody - so after we recorded that first record, the guy who played drums on it, Shawn Holman, him and I got along pretty well and wanted to play out. And so it started - Loaded Loot is what we called it. Guitar and drums. Bare minimals.

Which words would you use to describe your sound?

[Laughs] Ruckus; convictions; onslaught.

What was the inspiration behind your single and the single art for "The Bull"?

So, like I said, I grew up outside of Reno, so a lot of things that are around that town are very based around the cowboy lifestyle, so to speak, and the Reno Rodeo is called the richest rodeo in the West and that was like a huge event. My grandpa would take me to Reno Rodeo each year and I'm terrified of clowns - like a freakish amount of terror will strike me when I see a clown, even to this day - but, anyways, we were at a rodeo and the bull riding would take place Friday or Saturday and those are the days we'd go and I just remember being tripped out by these clowns that were running around inside the arena and they were always mic'd up and they'd talk to the announcers and stuff and I remember the announcer had one of these jokes that were along the lines of this clown had a gambling problem and I thought that was really funny and it kind of stuck with me, obviously, for a long time. Then, when I was going to write a song, just with the chords that I had and the music I had, that's the first thing that came to mind. I thought it'd be interesting to have a different take on my rodeos, I guess. And, of course, the cover art, that's all it was - I thought it'd be funny to put on some rodeo clown make-up.

That's off your forthcoming album, Mean Machine; what can you tell us about that?

The reason I named it 'mean machine' is because I feel like I'm a working cog between this battle of mind and heart, as most people are. You kind of display it one way or the other but one side has more control so it's if I was to separate myself from my heart and my mind, all of these songs are either an argument with myself or an argument against some relationship in the world, whether it be with someone I love or someone I hate or some idea of what's going on in the world or in my immediate world. It's kind of just this constant journey of figuring this back and forth out and so a lot of these songs are pretty much that exactly: more of a protest against certain things and then a kind of testament to other things.

What do you hope your listeners are able to take away from your music?

I feel like there's a difference between music being catchy and then music that sticks to you. I just really hope that this music is the latter.

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Jackie Venson by E

Catch up with Austin based artist Jackie Venson and look for her forthcoming live album, Jackie Venson Live, to be released Fall 2016.

What got you started in music?

Jackie Venson: My parents actually got me into music. My dad's a professional musician, but my mom signed me up for music lessons on the piano when I was 6 years old and she told me that if I hated it I could quit and I didn't like my teacher at all so I quit. Then two years later I ran into another teacher who was a substitute at my elementary school and I guess he was asking all of us if we had a piano teacher and I brought his card back home to my mom and my mom called him up and set it all up; I took piano lessons from him for 12 years after that.

Which musicians have you been influenced by?

Biggest influences for me would be Stevie Wonder for songwriting and overall musicianship and I really love Amy Winehouse and Whitney Houston, how they sing; they're so free when they sing, they just open their mouths and let it out. That's always been inspirational to me, any musician that can just free themselves on stage.

Is there anyone you're hooked on right now?

I've been listening to Buddy Guy's new album and I love it. He's always been a good guitar influence for me and he just came out with an album the last couple of years and I've just been listening to it and I love it. I've been kind of hooked on that.

How would you describe your own sound?

I don't really like describing my songwriting but, as far as the performance goes, I always tell people it's Amy Winehouse meets Buddy Guy, that's kind of the best way I can describe it and, as for my songwriting, I just kind of let people put their own interpretation on it, it's hard to pin it down.

What was the inspiration behind "Back To Earth"?

I changed my guitar down to Drop D for the first time and I was just kind of messing around in Drop D and that chord progression and those riffs and that rhythm kind of came from that. The song topic actually came from a rather tragic death of a friend, so I wrote a song about questioning life and purpose, so the song topic is about that. The music is just kind of a product of me practicing and just playing the guitar.

That track's off your forthcoming live album, Jackie Venson Live, could you tell us more about that?

Well the live album is exciting because, ever since the last album, I've changed up the instrumentation of my band and I've changed up the players in my band, so we've played songs like "Back To Earth" and other songs that are going to be on the album and the players are totally new, the sound of the songs are completely different, the arrangements are different. The video for "Back To Earth" is a solo performance of it and I just can't wait to record and capture and share the band arrangement of some of these songs that we're doing. It's almost like it's a different song.

Is there a track that you're most excited for your fans to hear?

Yes, I'm excited for them to hear the live arrangement of "Always Free". I'm going to include that on the live album and I'm super pumped to show people that, because this band has just taken that song and done something completely different with it.

What do you hope your fans and listeners are able to take away from your music?

I hope that they're able to take away how passionate I am about creating and performing and growing with music in my life. I hope that people can maybe take away the main thing, that I love this, that I don't have some ulterior motive; I'm playing music because I honestly love playing music, and I write for the same reason, and I just wish that that would be more common place in the world, that people would do things just because they loved doing them, not because they think that they should or they want to be cool or whatever. I think a lot of things would have more depth with that.

Is there anything you would like to add?

I just want to thank you for the opportunity to be interviewed and thanks for sharing my music. Of course, thank you to anyone who's been following me and listening, I really appreciate any love you've sent, and check me out.

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Ian Bamberger Trio by E

Look for New Jersey based blues rock band Ian Bamberger Trio's first full length album, Satisfied, coming April 2016.

What got you interested in music?

I'm 24 now so it's already been a long time; I've played guitar for twelve years, my dad was a musician in my area where I've grown up, the Asbury scene, basically. I played guitar all through high school; I used to have a 4-track in my basement and do all these loops on this 4-track and then I bought a loop pedal and I became pretty proficient at recording all these melodies and everything and I played a bunch of coffee houses, then I got picked up as a guitar player by Tor - another musician who is signed now, this guy's playing Governors Ball - and we were in a band for a few years. The whole time I was writing music, doing that whole thing, went to college, broke up with Tor, played through college, graduated, and then I decided I needed to actually record, so I hit the studio - Lakehouse Studio in Asbury Park - and recorded my first EP. Then I got a band together, the Ian Bamberger Trio, played a bunch of shows in New York and a lot of basement shows in New Brunswick - which is a whole scene there - and then I recorded another five song EP and kept playing music, and now I'm here.

Do you remember the first song you wrote?

Oh my gosh [laughs]. Yeah, it's called "Forgotten" and it's the first full song I ever wrote, the first where I had the balls to sing, 'cause when I first started singing, I couldn't sing at all; everyone was like, 'oh my god, what are you doing,' especially in high school. I took the video down but I used to have it on YouTube. I just posted a video and people liked it, it was good, but it was "Forgotten". I must have written that first full song sophomore year in high school.

Which musicians have you been influenced by?

It's been a lot. I guess, everyone goes through phases, if you're a musician or not. When I grew up I lived by Green Day and Jimi Hendrix, kind of opposite but both three piece bands; Hendrix had the experience and everything and that was just very cool to me, that raw sound. I'm into some hip hop; I love A Tribe Called Quest, lyrically and it's another way to look at beats and that's great. Bob Dylan, Sam Morrison, Red Hot Chili Peppers, old Jack White - like White Stripes - and then, today, I love Ed Sheeran, John Mayer; so it's a lot, it's all over the place. I also love the old jazz players like Django Reinhardt or Wes Montgomery.

What's in your playlist now?

It's been a lot of Sam Cooke and old soul singer-songwriters from a while back, like Otis Redding and, obviously, I've been listening to more Bowie lately, since he passed.

Could you describe your sound?

I try to take it in two parts. When I write songs I try to lyrically and vocally make it my own and then try to emulate another really popular band from the past. So, if you check out "LA 2 DC" - it's a song I have from my last EP but then I remastered it and I'm going to put it on the next album - the verse is Red Hot Chili Peppers, straight out of the book; it has a hard hitting slap bass and it's really fast and upbeat, and then the bridge breaks down almost in a Led Zeppelin manner and it's pretty bass heavy, and then there's a smooth solo and then it breaks into another Red Hot Chili Peppers sound. Then, lyrically, when I try to write it's usually about traveling or past experiences, like love and lust; it can be cliché but if you deliver it the right way I think it can be very cool.

What was the inspiration behind your single, "Satisfied"?

It was a bunch of things. The original inspiration was someone I met a while back as a rowing coach and this woman inspired me from her past, quite a bit. And, just listening to a lot of blues players and rock songs. It was something fun to write and I thought it would be fun to play.

And that's the title track off your forthcoming album, how does this album compare to your previous releases?

Production wise, it's more in-depth. I hope, I think, my songwriting's gotten better, my singing got better, there's obviously more content on it - it's ten songs instead of the usual five I do - and what I have done, I started experimenting with layering my vocals and doing some harmonies with falsetto work and that's been really, really exciting, because the product came out well. And, it's the first recorded song I have with piano; there's one of the songs on the album - my drummer's also a multi-instrumentalist - and it was pretty cool to have the idea for the verse of one of our songs to have this 1978 Wurlitzer piano in the background and it adds a new dynamic.

Do you have a favorite track from that album to perform live?

I would say "My Champagne". "My Champagne" is crazy and, hopefully, I can get musicians to sit in, once this drops, for shows coming after 'cause it's fun. It's pretty catchy with the guitar riff but, also, you can extend it if you have an organ player or horn players or whatever, it's something you can just jam on for awhile.

Could you sum up Satisfied in one sentence?

It's my musical progression to take what I want in life to the next level.

What do you hope listeners take from your music?

I hope they would tell their friends to come to a show. One of the things I try to get across in the studio recording is, if you hear us live, it'll have even more energy than the tracks, and that's the biggest thing, bringing it back to the stage and having a really powerful live performance, so that's what I would want. And, obviously, just, come out to shows.

Is there anything you'd like to add?

I will go on tour in June - I'll be hitting up the Northeast - and then the album will release in early April.

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