The Brazen by E

Catch up with lead singer Ryan Hobbs of Leeds/Birmingham-based band The Brazen, check out their new single, "Burn It Down", and look for The Brazen's debut album to be released this Summer.

What first got you interested in music?

Ryan Hobbs: I remember I just always wanted to sing along to anything I heard, and then I refined that a little into my teenage years, there were quite a few young singers in my school and we all used to annoy people by singing in the corridors! That’s when I really remember getting interested in music and singing

Which musicians have you been influenced by?

The main one for me will always be Kelly Jones of the Stereophonics, I love his narrative lyrics and his voice is brilliant, even better live! So he is a heavy influence for me……

If you were to make a playlist to share with your fans, which three songs - from other artists - would you have to include?

"Local Boy in the Photograph" – Stereophonics, "Champagne Supernova" – Oasis, "Creep" – Radiohead – easy one that one!

How would you describe your sound to someone who had never heard it?

Anthemic upbeat songs, big guitars, big vocals & harmonies.

What were your inspirations behind your single, "Burn It Down"?

The song was written by our bassist Trev, he has contributed some great material to the album and this one was immediately destined to be a single. Trev describes it as “Essentially an apology song. We have all done or said things we haven’t necessarily meant, failed to engage our brains! And then upon reflection we realise. Burn it Down!" It's basically saying let's wipe the slate clean and start over!

Is that single indicative of what we can expect to hear on the album and could you tell us more about your debut LP?

It is indicative in the sense that it has big vocals and big guitar parts, but our LP will be 12 songs and 12 very individual songs, I don’t think people will listen to our songs and think any 2 sound the same, or are even styled the same - each song is given its own identity and has been made the best it can be. We are very pleased and proud of the album, so much so we will be releasing three singles fromit, The first being "Burn It Down", and 2 more will follow, but I think we could easily have had 5 or 6 singles, there are a lot of strong tracks on the album - it's all killer, no filler!

Is there a track from the album you're most excited to share with your listeners?

Yes, I think "Laser Lips", which will likely be the next single will be the most exciting! Its very different, very upbeat and perhaps a little indie pop in style, but we play it live and people start going nuts, we have had a huge reaction to it, including a guy at a recent gig who was unable to control himself and was compelled to start dancing and even break dancing! We loved it, and the reaction at every gig has been huge, so yeah, "Laser Lips"! Remember the name!

What do you hope listeners are able to take away from your music?

We honestly just want people to hear our music and enjoy it, its our debut album and obviously exciting for us, but also there are some really epic and exciting tracks in our repertoire, and we just want people to have fun and enjoy our work.

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Jo Kroger by E

Catch up with folk-rock singer-songwriter, Jo Kroger, check out her new single "Telephone Call", and look for her sophomore EP, The Simplest, out tomorrow.

What got you interested in music?

Jo Kroger: I've been making music forever [laughs]. I come from a pretty musical family and I studied a lot of music as a kid because I went to a creative performing arts school. I started writing songs as a young teenager with my brother and we had our first band towards the end of high school and I played with a few different groups after that and moved up to New York and just kept making music. I got pulled in with the music scene up here, with the open mic scene and stuff like that, and started meeting a lot of people that really inspired me and a couple people that really pushed me along and started writing a lot more and eventually started recording. [Laughs] I've just been making music forever, seriously. 

Do you remember the first song you wrote that you were happy with?

Oh my god, that's such a great question [laughs] because I thought you were going to say, 'do I remember the first song I wrote' and I was going to say, 'yes! It was awful!' [laughs]. It was so terrible and I remember it so clearly. The first song I was really, really pretty proud of I still play today. It was really indicative of the time when I took writing out of being something I did on the side - when I was younger I went to church and played there and played with my brother - and it's really when I took ownership of it that I wrote this song and it changed the game for me, really. It was about how you try things and you get so excited and then you fail and then the next time you get excited you sort of have this little voice in your head that's planning to fail and so you maybe don't get as excited. That song was about being inspired and being excited and not wanting to give up this time, not wanting to sell myself short this time.

Which bands or artists have you been influenced by?

It's so hard. I said recently to somebody that I had this really precocious, pretentious, little goal when I was a fourteen year old that, if I wanted to consider myself a musician, I had to like something from every genre and I think, when people ask what influenced you, they're asking, what do you sound like, and I don't think those are connected necessarily all the time, for me. But, I can tell you, when I was little, Sgt. Pepper by The Beatles was on all the time, James Taylor was on all the time, Elton John, the Man of La Mancha soundtrack [laughs]. Then, as a teenager, it was a lot of punk and rock, but my dad used to play folk songs on the edge of my bed when I was a little girl and I think that's the through line that really keeps it all together, those stories mixed with Ella Fitzgerald with Janelle Monáe with folky songwriters like Nickel Creek or Joni Mitchell.

What current artists have you had on repeat?

I love everything Janelle Monáe puts out, I think she's flawless. Bowie just passed and we're all very, very sad about that, so he's been around forever but this new album from right before he passed, Blackstar, is just incredible and I love it so much; I think it's super inspirational. St. Vincent is really incredible. Who else do I have on repeat? I'm really into a lot of playlists that get suggested at this point because I feel like I learn a lot of new stuff that way.

How would you describe your sound?

I once read in somebody's Wikipedia entry, it said, melancholic pop folk with elegant melodies, and I was like, 'oh, that's me, that's my thing!'. It's very story and personally driven and it's really pop folk with dreamy roots, but I'm always inspired by other sounds so you'll always hear an edge creeping in. I'm somebody who wanted to be a punk rocker at heart but turned out to be a folk songwriter [laughs].

Your songs are pretty fluent on their own, but could you tell us about the inspirations for your single "Telephone Call"?

Oh, sure. It's really about how those close to people who abuse substances end up with the physical scars. I think there's this idea that people who abuse substances are trying to do it because maybe they have depression or maybe they have self-loathing that they're trying to get out of themselves with this self abuse but, very specifically, it had to do with my experiences with alcoholism and friends of mine experience's with alcoholism impacting their lives. It tells a very real story - whether it's mine or other people's - about choosing to move on from that experience and it was a cool writing experience for me because I had never written a song the way I wrote this one. It was neat because you have this juxtaposition of a telephone conversation with the mother that's just the major part of the song and then flashing to current day; it's sort of cinematic, but it's got this really laid-back vibe that almost sounds like it could be a background song, like you could listen to it and not know it's about pretty harsh stuff. That flashing back and forth in view was really the best way I had to reconcile with what had happened in my life and what was happening in the lives around me. I don't think of myself as an issue songwriter, I feel very passionately about a lot of issues, but I think sometimes they can get watered down if you get preachy in your songs so I shy away from that, but this came out and I wanted very badly to tell people that they weren't alone and I let the story stand for itself.

Could you tell us more about your new EP, The Simplest?

The last EP was more straightforward folk Americana, you would put it on on a roadtrip - I mean, hopefully you listen to this one on a roadtrip too [laughs] - and it was just a little more of this straightforward folk vibe where, with this, the producer, Dalton Deschain, and I really wanted to bring edges of all of the different music that inspired me and inspired him - it's interesting and challenging and fun - into these songs. They still have a lot of story at their heart, they still have a lot of really straightforward songwriting, but I wanted to bring some different sounds into it and I think it came out with a really cool indie rock flavor on the singer-songwriter songs. "The Simplest", the actual title track, was really fun as soon as we decided we just wanted it to sound like a classic rock song about the first love falling to pieces, I think we had a lot of fun producing that. There's some darker, more personal stuff like "Telephone Call" and "Ruby Slippers" that are about loss and striving through and there's lighter stuff like "The Simplest" or "Smoke" which are also about pushing through when you get knocked down but in a much more lighthearted way.

What do you hope your listeners take away from your music?

I've always said that in hitting the crux of a problem in my life, in those moments, I find myself laying backwards on my bed, staring at the ceiling, oftentimes listening to music and just finding that piece that resonates with me, that little nugget of truth - even if somebody's experience is completely different - having that moment of feeling connection or sharing is really, really special to me and really crucial to me and I hope that, when people listen to my music, in that moment, they find something in there that tells them that they are not alone. Somewhere someone is feeling something, maybe not the exact same, but something similar and they're not alone.

Is there anything you'd like to add?

I hope everybody enjoys it and I'm excited for whatever comes after this, but this has been a long time coming. It's been an almost three year project because of some of the losses that are on the album and are a part of that story and I'm just really looking forward to having it out there in the world instead of hiding it and sitting on it and keeping it for me.

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Eric Taylor Escudero by E

Catch up with indie folk artist, Eric Taylor Escudero and look for his new album, We Were Young and It Was Morning, out now.

What got you interested in music and songwriting?

Eric Taylor Escudero: Well, I've always listened to music and my father was a huge Beatles fan so there was always music in my house when I was a kid. As a teenager, I decided I wanted to be a musician so I started writing songs as a joke at first at school and everything, but then it got serious and I've always wanted to write my own music; I never liked to play other people's music, it just never seemed really interesting to me.

Which musicians have you been influenced by?

Speaking about American acts, Bright Eyes' Conor Oberst is a huge influence to me and I really like Ryan Adams and Death Cab For Cutie, as well. I like some British acts like Idlewild and I've always listened to a lot of Oasis so I'm still a big fan.

Who's in your playlist now?

Lately, a lot of Idlewild. I've just rediscovered Basement and some Brazilian music, from the '50s and '60s mostly. The ones I mentioned as well, but Noel Gallagher's new album is pretty good and some Ólafur Arnalds, the icelandic composer.

How would you describe your own sound?

I think it's pretty honest music. I try to sound unique, but not unique in a way that's simply on purpose or unique only to be interesting for other people, I try to express myself, because I believe that if you can express yourself well, then it always sounds unique because people are different and their experiences are different because the way we live our life's is always different. So, I think it's honest, easy folk music with a lot of character - I hope [laughs].

How does your new album compare to your previous releases and could you tell us more about We Were Young And It Was Morning?

Yes, the previous EPs were recorded either in a small studio here in Brazil or in my own house and they feature some old songs with different arrangements and some of them, like "Black River" and "The Uncountable Colours Of The Sky", had been released on the EPs and the arrangements have changed a little bit - or a lot in some cases. I think We Were Young And It Was Morning had a bigger investment in time and also in money, but I had a band with me for We Were Young And It Was Morning and they were really focused and they really knew the songs and they wanted to record the album, so I think it has a different feeling. It sounds more like one piece; although there are some songs that were written many years ago, it sounds like it's always played by the same band, because we were.

Could you sum up We Were Young And It Was Morning in one sentence?

It would be, for me, a portrait of a time in my life; it really is about the years that I've lived before, that's why the name We Were Young And It Was Morning really expresses the years I've had.

Now that the album is out, is there a song that stands out to you, one you'd call your favorite?

Yes, I really like "Fountains of Blood", the third song. I've always liked it, but I think, on the album, we managed to get a nicer arrangement. I've always liked the lyrics but I was not very much satisfied with the arrangement and on the album we have some nice vocals and the drums are pretty nice as well. That one's my favorite at the moment.

What do you want your listeners to be able to take away from your music?

I always think about that. I remember, when I was a teenager and I started listening to music and I really felt that, sometimes, when I listened to some songs, they were really meaningful and it was just like the most beautiful, most important think in life for me. I really want people to have that feeling in a way. I think if people who care about music can connect to me and can feel that it's meaningful to them, then I will be happy. 

Is there anything you'd like to add?

I really hope that people can listen to my music and I hope they can find it online and that they can really get something good out of it for themselves because I believe when you listen to a song, you have a different experience than I, because we have different experiences, and I hope people like it and they tell their friends [laughs].

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Morgan Mallory by E

Catch up with Orange County-based alt-pop/singer-songwriter Morgan Mallory and check out his new single, "Larger Than This Life" off his forthcoming debut album, Manifesto.

What got you interested in music?

Morgan Mallory: I come from a very musical family - and when I say that I mean it was nonstop, all day, every day. My mom is a music teacher and taught out of our home, so she was constantly teaching voice from the moment I that got home from school to 8 or 9 at night. You couldn't escape it. Singing was always in the background no matter what you were doing; if I was watching Indiana Jones and eating a bucket of ice cream, there was someone singing opera in the background [laughs]. My brother was a trumpet player/band geek who later got his degree in vocal performance, and my dad is just a naturally gifted guy who plays piano like Elton John and plays guitar like James Taylor [laughs]. I was getting it at all ends, it is what I was immersed in.

Do you remember the first song you wrote?

I think around 11 years old is when I actually sat down and was like, 'I am going to write a song'. I had always messed around with different instruments we had lying around the house, coming up with little diddys, playing other people's music or learning piano when I was really tiny. I’d always wanted to do something myself, musically. One day the idea rolled into my head for this song that I've never actually released called "Don't Let It End This Way". For some reason, I had been listening to a lot of country music at the time [laughs] and I had a vague lyric idea. With the three or four guitar chords I had just learned, this country song started flowing out of me. The first verse depicts a guy going through a break up and sings the chorus 'Don’t let it end this way / just give me one more day / to right the things that I’ve done wrong…', in the 2nd verse he races off in anger and gets in a car accident - prompting the girl to rush to his aid and sing the chorus from her perspective, then the 3rd verse/chorus is from the point of view of the guy again, but in the afterlife. You see that a lot in country music, where the chorus takes on a slightly different meaning every time it’s repeated. It took about an hour or two to get the whole thing written, and I was just so weirded out. Like, "what just happened...what just came out of my brain??" [laughs], "I don't know what this means…but I gotta do that more, that was fun", and it just started me on this path. [Laughs]

Which musicians have you been influenced by?

Majorly influenced by the stuff my parents and my brother listened to. It was a lot of '70s funk from my mom, 'cause that's the music she played in touring bands back in the day, like Earth, Wind & Fire, Tower of Power, and some classic Motown stuff. The huge ones that really got me going were Stevie Wonder and Michael Jackson. I remember listening to Michael Jackson on my cassette player on the school bus [laughs] at maybe 6 or 7 years old, just completely amazed; the amount of emotion that dude exhibited in a performance and his songwriting and just the vibe/groove of it. Then my dad introduced me to '70s rock and a lot of his favorite people from the '60s and ‘70s; Since he was a musical guy already and had a bit of classical training as a kid, he was always interested in virtuoso musicians like Emerson, Lake & Palmer - some of the most incredible keyboard work ever, and Jimi Hendrix - obviously a musician from outer space, and bands like Yes who were an early progressive rock band that painted these really weird, crazy, musical murals. The funk and soul stuff, with really thick/sticky rhythms, melded simultaneously in my mind with the theatrics and huge, crazy orchestrations of early prog rock.

Is there an artist you're hooked on now?

Right now, I have been obsessed with people like Kimbra and Lianne La Havas. I only recently, within the past couple of months, discovered Lianne La Havas and she is just blowing my mind 'cause she's all jazz, but she has these super funky, modern diva songs - yet she's so quiet and cute. She plays guitar and writes her own songs but has this Beyoncé-esque voice. t’s absolutely insane listening to her and imagining how she knew how to do that.

What words would you use to describe your own sound?

That's always the hardest question to answer [laughs]. The really weird part, and this is why it's so difficult, is that my coming record is a compilation of songs that have been in the writing process for five years. This is my first release, so there's a lot of stuff that's been sitting around and was being developed during very different times in my own creative development. Some were being written when I was in rock/metal bands, some when I was teaching voice, some while I was off in LA filming for The Voice; they're all over the place. I've always paid attention to whether my melodies were “brain worms", like, is this going to be stuck in somebody's head for two or three months? I think, if there was a common thread through all of them, there's a clear importance on positive lyrics; having to do with asking yourself really difficult questions and trying to dig deep into developing yourself into a better person. Sometimes it digs up some really tough stuff, but they're important questions. Like, “Am I living my life to the fullest? Am I living to my potential? Is this person worth keeping in my life? This painful thing that I just went through, was it actually necessary and am I a better person for the experience?" Then, there's a track like "Live It Up" which is about partying through all the negative crap in life [laughs] you’re better than that! There's a line in there about repressed potential, ‘If you feel there is something you’ve left behind / a broken promise to yourself at the back of your mind / don't be afraid of the power you've held inside / ‘cause we’re all fighting for our chance to survive’. There's these little nuggets, these little life lessons peppered in.

What were your inspirations behind your new single, "Larger Than This Life"?

That can go as far as you want it to. At the surface, it's just this really positive, big, sun-coming-through-the-clouds sort of song, and is probably the most high energy rock band song I have on the record; it's like the opening of a movie. The first inspiration was a lyrical one. It was hard for me to write love songs for some reason at this time, so I was like, 'let me try to write the ultimate love song,’. What came out was this concept of, recognizing how unusually strong your bond is with somebody you just met. Perhaps you've been with them for a while and it never faded. What if you got this feeling that you fell in love with them in a previous life and you wondered how you knew them so well already? One of the lines is, 'wasn't it odd / feeling like our dreams were always coming true?’ like, have you thought about this as much as I have? Do you get the feeling that maybe we were meant to be together - not just in the cheesy sense - but literally as though the fabric of time and space depends on us being together? [Laughs] So it can be a question of the time space continuum, it can be a question of compatibility - whatever it is that you're feeling, that song should grab you if you're in love at all. It’ll play to the intensity to which you are feeling it.

Could you tell us more about your forthcoming album, Manifesto?

What I've heard from close friends and family that have listened to it is that, even though there are slight differences in genre from song to song, there seems to be a concept to it like you're following a story. It starts out with falling deeply in love and then everything in-between; Love, loss, breakup, geting-back-together, mid-life crisis - that sort of thing. It's a chronology of the past 5/6 years of my life through different relationships and existential struggles. At the very end there's a song called "Back To The Start”, that deals with just picking yourself back up when you fail, like, I get it, you're broken, let's start over, do it again, you'll get it [laughs].

Is there one song off the album that stands out to you?

Yes. I mean, "Larger Than This Life" is the one that everyone in the studio kept pointing out when I asked what they thought the single would be. Personally, I'm really excited about the next song that's going to be coming out in a couple months called "Would It Be Different". It bookends "Larger Than This Life”, which is obviously just being completely in the throes of mind-bending love, but then "Would It Be Different" is from the perspective of being left behind and wondering, how long have you been thinking this way? Would it be different if it was me who was leaving, and would you even miss me? It's probably the most stylistically 'now' track on the record, so I'm really excited to see what people do with that.

What do you hope listeners are able to take away from your music?

I hope they find themselves in it. Think back to the albums - not just songs - that really captured you when you were growing up; why? Was it because the lyrics were speaking to something you were going through at that exact moment? Sometimes you need the validation of hearing someone else put that into words and create the soundtrack to your life. Or maybe you just needed something to dance to and it made you feel good. What I really hope someone gets out of my stuff is that feeling of belonging, the validation that these feelings they've had are good. They're okay, they're worth it, and it's making you stronger.

Is there anything you would like to add?

I would say, to anyone that's reading this, that we've got a great schedule of material to release before the album even comes out. We have a tearjerker of a music video coming out for "Larger Than This Life” where we interviewed a ton of relationships and asked them to define what love is. We asked anyone that would be willing to answer on camera, so we got this wide range of interracial couples, old couples, best friends, LGBTQ couples, anything and everything. The responses we got were both hilarious and incredibly touching. The video itself is going to be really, really cool and should be coming out in the next month or so. If you dig what we’re doing, share it with everyone you know!

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