A+A by E

Catch up with Anwar (all instruments) and Andrew (lyrics, vocals) of R&B pop duo, A+A, and check out their video for new single "Changes" off A+A's forthcoming debut EP, LivingRooms, out May 11.

What brought you guys together?

Andrew: What brought us together, first and foremost, well, no, let's start from even further back. Anwar, what got you into music?

Anwar: Well, what got me into music - wow, you're questioning me, okay - I think, more than anything, probably just my upbringing. My whole family was into music, my mom was a musician, my father was a singer in a band and he had records on RCA Records and stuff like that, and then my dad's uncle was in a band which was famous at the time, so that's me. What about you bro?

Andrew: Me, same thing with my upbringing. My father is a musician but I was eased into it by Prince and George Michael, who are some of my biggest influences, so that was the upbringing that I had. It was that sense of music like Michael Jackson and when music was real music. 

Anwar: What's wrong with music now?

Andrew: It's not real bro, it's not real. It's just not.

Anwar: I think it's real.

Andrew: Yeah, but we're not real human beings.

Anwar: That's true. Okay.

Andrew: So, yeah, just the upbringing was the same, like that was very influential in molding my music likes and dislikes and whatnot.

Anwar: I think that's what got us together, is the fact that we were on the same page with being real and honest in our music.

Andrew: Right, it's more-so about what we love rather than what the world is telling you to do right now, like, 'oh, this is hot so I'm going to do this,' no, that's why there's such a different variety of music that we make, because there's so much music within us that we'd be selling ourselves short to stay in one lane.

Anwar: Yeah, one lane, one genre, forget about that. Crazy enough, I'm a classical jazz pianist by trade and I listen to classical music half the day sometimes but, when me and Andrew are together, we're writing-

Andrew: Everything.

Anwar: I think, more than anything, just the fact that me and Andrew love music so much that we don't give it one face.

Andrew: I feel like it wouldn't be real if we had to, because then that would be the case: we would have to sound like this or do this because it's what we're doing. Even starting from the beginning of everything, we've always made different types of music, even when we were working with and writing for other people, so that's what made it easy, the fact that our background was so different. Me, personally - and I know that Anwar's the same way - I'm very, very stubborn and selfish in the sense that I don't care about what people like, I want to make my own music and if you don't like it, then you don't like it and if you like it, then awesome.

Anwar: [Laughs] I used to own a recording studio in New York and, unfortunately, it closed down but it's all good because I met Andrew through that. There was this top artist and we were looking at her project and we just ended up hitting it off right from session one. 

Andrew: Yeah and we just kind of went from there.

You've touched on your separate influences, but who would you say influences what you're doing now?

Anwar: In terms of musically and all the sounds that you hear on our album, a lot of influence just comes from, you could say, Bach or Chopin, because that's what I always listen to and then I'll apply it to this music. I listen to a lot of Radiohead, I love Radiohead, and I love artists and bands that follow a wave of making great music, they're not really finding one distinct sound, 'cause that's what Radiohead is and I really dig that. I like James Blake, I'm listening to The Japanese House too which has really, really cool sounds made with 1975 but, I think, more than anything, our sound has so many different influences, it's even jazz. We watched The Basement Tapes and fell in love with Marcus Mumford and we wrote the song "Manhattan" right after we watched that TV show, so sometimes it's not even music that influences us, but TV shows or walks in the park and all that.

Andrew: Right and, from the lyrical standpoint, me personally, I'll be the first to say that I love music, but I don't really care for it. I'm all about words, the meaning of words and how I can say whatever I need to say or want to say and developing phrases and statements that way so, with that being said, I listen to a lot of artists that are known for the way that they put words together so surely; the way that the words are put together are so definite and there's no doubt in any of it or I wouldn't even want to replace it any other way. My biggest influences in writing are George Michael, that's one of my biggest, if not the biggest, lyrical influence because everything he says is just so sure. Same with James Fauntleroy; he has a totally different style of writing and he's more melodic first, but everything that he says has a way of flowing and messing with your mind, but everything is so definite, as well. It's about the story and about the message, and also marrying that with whatever sound we choose to be portraying that day.

Anwar: We loves James. James is definitely a huge influence on us.

What words would you use to describe your sound?

Anwar: It's so unique, so freaking unique, I don't even know what words to really put to it. It's almost like starting our own little genre. 

Andrew: The word I would say, to describe our sound, is just, 'whatever'. It's really whatever we feel, it's not about, 'oh, this is the A+A sound,' - and I guess it's because it's coming from the same base that it's all cohesive - but it's literally whatever we feel.

Anwar: Yeah, I think whatever is the best word.

Andrew: It's careless and it's careful; it's just whatever.

Could you tell us more about your inspirations for your single and video for "Changes"?

Andrew: I was going through a lot at the point of writing that record. The record was a prayer and I went on a hike one day and I was just rambling in my mind and going through it and beating myself up and overthinking - as us emotional people do - and I got to the top of the mountain and I was just like, 'I can't do this anymore,' and I started praying, but praying really loud and screaming out loud and, literally, what the record says is a play by play of what happened: 'I fell my knees just hit the ground / I feel your presence all around / I lift my hands and scream out loud / I don't know what about 'cause it all just hurts / but things are changing now'. It's just a declaration of faith to let the world and the enemy, whatever the enemy may be, know that you're not going to be put down by the struggles or your situation because you have faith that there are better days coming.

Anwar: Yeah baby!

Are your past two singles indicative of the sound we can expect to hear on the album and can you tell us more about LivingRooms?

Anwar: When we release the record, one of our next singles is going to be "Naked" and it is a great summary of the type of sound that we're going for which is, we have major urban influences and then we have some pop influences, for sure, like indie pop. And we love Kanye West so we'll throw 808s on.

Andrew: "Naked" is definitely the perfect marriage of all the sounds.

Anwar: You can expect a whole lot of everything. Just picture all the tracks that you hear on Soundcloud and then put it all into one track and that's our focus and sound.

Andrew: That's it. As far as the whole project, the sounds will be everywhere, but what you can expect is, honestly, to get to know who I and Anwar are, because it's really - sonically, lyrically, vibe-wise - everything is the perfect representation of who we are, as people and as artists and just as beings of the universe.

How would you sum up LivingRooms in one sentence?

Andrew: The waiting area between one door closing and the next one opening.

Anwar: You know what it is, we started in a recording studio and then we moved it into my living room and we pretty much made the whole record in my living room. It's a very open space, my kids are running around everywhere and there's always people in the house, so it's a very open, free vibe in the studio.

Andrew: That went hand in hand with my songwriter process with writing all of these songs, even before we decided to group them together, because I'm 23 and I'm still figuring it out; I'm figuring life out, I don't know when I'm going to be done figuring it out, but I'm just going with it, I'm rolling with the punches, and literally every single song came from a place of confusion and a place of, when is the next door going to open? I want this one to close, I want to get to the next stage of my life, and that's basically what a living room is and it's kind of perfect that the way that we did it was in a living room, because we were able to express the way that we were just waiting for that next level and we were literally in the living room making all of these things happen while waiting for the next level. Whatever's coming up, God is in control.

Anwar: What's really crazy is, as we're writing these songs, I might be jamming on the guitar for awhile and what's awesome about the setup that we have is, if Andrew gets mega inspired, my bathroom is right next to the studio wall, so he writes the majority of the music in the bathroom.

Andrew: In the bathroom, yeah.

Anwar: You're a bathroom songwriter.

Andrew: I am, I mean, it muffles the sound so it's quiet enough for me to think, but then I still hear it so it's like I'm still there [laughs].

What do you want your listeners to take away from your music?

Andrew: Be yourselves.

Anwar: Yeah!

Andrew: Be open, be who you are, because that's the greatest way to be different. Everybody's trying to be different, but we're all already different as individuals; there's nobody on this Earth that's just like you, and I feel like, especially working and writing with other people, it's really hard to portray yourself or lead yourself through the work that you're doing when other people are dictating, 'no, do this, do that'.

Anwar: You just hit it on the nose, because we've been writing for other people for a really long time and, after a while of just doing that, I realized, coming from a producer standpoint, I've just been everything to everyone for years, just making people sound like a million bucks and I've never really spent the time to really focus on myself and, the moment I met Andrew, it hit me, it was time to really do this and just shut the others out and focus on myself. It's okay to be selfish, a little bit.

Andrew: You have to be. I come from a background of always being on the backburner of things, maybe family, maybe life, and when I got to high school, I just started to be myself and, if you don't like it, then you don't like it, and if you like it, then awesome, we're friends, but it comes with a lot of loneliness and being with yourself but, you know what, at the end of the day, you are all that you have to answer to and you are all that you have to live with and everybody and everything else is irrelevant. As long as you're happy, that's what matters and that's what the whole project is about; it's about that process of finding life and finding you and finding love and being loved and being real with yourself. 

Anwar: And we reflect this on the stage; all our live shows are very 'real' feeling. We just don't care what anyone else thinks, we'll do the craziest things - it's not even that it's a comedy act - it's just the fact that we don't really care so we'll just do whatever we feel in the moment. We love that and we preach that to people and we hope that we can also open up doors for other people to feel the way that we're feeling.

Is there anything you'd like to add?

Anwar: Basically, do whatever you want, meet whoever you want. Andrew and I met on blackpeoplemeet.com... [laughs].

Andrew: No, we didn't.

Anwar: [Laughs] I don't actually know where I was going with that.

Andrew: I would just say, closing statement, there's a very wise man, his name is Aubrey Graham, he goes by Drake, and he goes, 'yeah girl, just be you / and I do this shit for my hometown / it been going down it ain't new / that's that north north, that up,' just kidding, but just be you. Be you! [Laughs]

Anwar: The album's coming out May 11th.

Andrew: May 11th, LivingRooms, yeah.

Anwar: And we'll be opening for Glint at Pianos in New York City on April 26th.

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The Brazen by E

Catch up with lead singer Ryan Hobbs of Leeds/Birmingham-based band The Brazen, check out their new single, "Burn It Down", and look for The Brazen's debut album to be released this Summer.

What first got you interested in music?

Ryan Hobbs: I remember I just always wanted to sing along to anything I heard, and then I refined that a little into my teenage years, there were quite a few young singers in my school and we all used to annoy people by singing in the corridors! That’s when I really remember getting interested in music and singing

Which musicians have you been influenced by?

The main one for me will always be Kelly Jones of the Stereophonics, I love his narrative lyrics and his voice is brilliant, even better live! So he is a heavy influence for me……

If you were to make a playlist to share with your fans, which three songs - from other artists - would you have to include?

"Local Boy in the Photograph" – Stereophonics, "Champagne Supernova" – Oasis, "Creep" – Radiohead – easy one that one!

How would you describe your sound to someone who had never heard it?

Anthemic upbeat songs, big guitars, big vocals & harmonies.

What were your inspirations behind your single, "Burn It Down"?

The song was written by our bassist Trev, he has contributed some great material to the album and this one was immediately destined to be a single. Trev describes it as “Essentially an apology song. We have all done or said things we haven’t necessarily meant, failed to engage our brains! And then upon reflection we realise. Burn it Down!" It's basically saying let's wipe the slate clean and start over!

Is that single indicative of what we can expect to hear on the album and could you tell us more about your debut LP?

It is indicative in the sense that it has big vocals and big guitar parts, but our LP will be 12 songs and 12 very individual songs, I don’t think people will listen to our songs and think any 2 sound the same, or are even styled the same - each song is given its own identity and has been made the best it can be. We are very pleased and proud of the album, so much so we will be releasing three singles fromit, The first being "Burn It Down", and 2 more will follow, but I think we could easily have had 5 or 6 singles, there are a lot of strong tracks on the album - it's all killer, no filler!

Is there a track from the album you're most excited to share with your listeners?

Yes, I think "Laser Lips", which will likely be the next single will be the most exciting! Its very different, very upbeat and perhaps a little indie pop in style, but we play it live and people start going nuts, we have had a huge reaction to it, including a guy at a recent gig who was unable to control himself and was compelled to start dancing and even break dancing! We loved it, and the reaction at every gig has been huge, so yeah, "Laser Lips"! Remember the name!

What do you hope listeners are able to take away from your music?

We honestly just want people to hear our music and enjoy it, its our debut album and obviously exciting for us, but also there are some really epic and exciting tracks in our repertoire, and we just want people to have fun and enjoy our work.

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Jo Kroger by E

Catch up with folk-rock singer-songwriter, Jo Kroger, check out her new single "Telephone Call", and look for her sophomore EP, The Simplest, out tomorrow.

What got you interested in music?

Jo Kroger: I've been making music forever [laughs]. I come from a pretty musical family and I studied a lot of music as a kid because I went to a creative performing arts school. I started writing songs as a young teenager with my brother and we had our first band towards the end of high school and I played with a few different groups after that and moved up to New York and just kept making music. I got pulled in with the music scene up here, with the open mic scene and stuff like that, and started meeting a lot of people that really inspired me and a couple people that really pushed me along and started writing a lot more and eventually started recording. [Laughs] I've just been making music forever, seriously. 

Do you remember the first song you wrote that you were happy with?

Oh my god, that's such a great question [laughs] because I thought you were going to say, 'do I remember the first song I wrote' and I was going to say, 'yes! It was awful!' [laughs]. It was so terrible and I remember it so clearly. The first song I was really, really pretty proud of I still play today. It was really indicative of the time when I took writing out of being something I did on the side - when I was younger I went to church and played there and played with my brother - and it's really when I took ownership of it that I wrote this song and it changed the game for me, really. It was about how you try things and you get so excited and then you fail and then the next time you get excited you sort of have this little voice in your head that's planning to fail and so you maybe don't get as excited. That song was about being inspired and being excited and not wanting to give up this time, not wanting to sell myself short this time.

Which bands or artists have you been influenced by?

It's so hard. I said recently to somebody that I had this really precocious, pretentious, little goal when I was a fourteen year old that, if I wanted to consider myself a musician, I had to like something from every genre and I think, when people ask what influenced you, they're asking, what do you sound like, and I don't think those are connected necessarily all the time, for me. But, I can tell you, when I was little, Sgt. Pepper by The Beatles was on all the time, James Taylor was on all the time, Elton John, the Man of La Mancha soundtrack [laughs]. Then, as a teenager, it was a lot of punk and rock, but my dad used to play folk songs on the edge of my bed when I was a little girl and I think that's the through line that really keeps it all together, those stories mixed with Ella Fitzgerald with Janelle Monáe with folky songwriters like Nickel Creek or Joni Mitchell.

What current artists have you had on repeat?

I love everything Janelle Monáe puts out, I think she's flawless. Bowie just passed and we're all very, very sad about that, so he's been around forever but this new album from right before he passed, Blackstar, is just incredible and I love it so much; I think it's super inspirational. St. Vincent is really incredible. Who else do I have on repeat? I'm really into a lot of playlists that get suggested at this point because I feel like I learn a lot of new stuff that way.

How would you describe your sound?

I once read in somebody's Wikipedia entry, it said, melancholic pop folk with elegant melodies, and I was like, 'oh, that's me, that's my thing!'. It's very story and personally driven and it's really pop folk with dreamy roots, but I'm always inspired by other sounds so you'll always hear an edge creeping in. I'm somebody who wanted to be a punk rocker at heart but turned out to be a folk songwriter [laughs].

Your songs are pretty fluent on their own, but could you tell us about the inspirations for your single "Telephone Call"?

Oh, sure. It's really about how those close to people who abuse substances end up with the physical scars. I think there's this idea that people who abuse substances are trying to do it because maybe they have depression or maybe they have self-loathing that they're trying to get out of themselves with this self abuse but, very specifically, it had to do with my experiences with alcoholism and friends of mine experience's with alcoholism impacting their lives. It tells a very real story - whether it's mine or other people's - about choosing to move on from that experience and it was a cool writing experience for me because I had never written a song the way I wrote this one. It was neat because you have this juxtaposition of a telephone conversation with the mother that's just the major part of the song and then flashing to current day; it's sort of cinematic, but it's got this really laid-back vibe that almost sounds like it could be a background song, like you could listen to it and not know it's about pretty harsh stuff. That flashing back and forth in view was really the best way I had to reconcile with what had happened in my life and what was happening in the lives around me. I don't think of myself as an issue songwriter, I feel very passionately about a lot of issues, but I think sometimes they can get watered down if you get preachy in your songs so I shy away from that, but this came out and I wanted very badly to tell people that they weren't alone and I let the story stand for itself.

Could you tell us more about your new EP, The Simplest?

The last EP was more straightforward folk Americana, you would put it on on a roadtrip - I mean, hopefully you listen to this one on a roadtrip too [laughs] - and it was just a little more of this straightforward folk vibe where, with this, the producer, Dalton Deschain, and I really wanted to bring edges of all of the different music that inspired me and inspired him - it's interesting and challenging and fun - into these songs. They still have a lot of story at their heart, they still have a lot of really straightforward songwriting, but I wanted to bring some different sounds into it and I think it came out with a really cool indie rock flavor on the singer-songwriter songs. "The Simplest", the actual title track, was really fun as soon as we decided we just wanted it to sound like a classic rock song about the first love falling to pieces, I think we had a lot of fun producing that. There's some darker, more personal stuff like "Telephone Call" and "Ruby Slippers" that are about loss and striving through and there's lighter stuff like "The Simplest" or "Smoke" which are also about pushing through when you get knocked down but in a much more lighthearted way.

What do you hope your listeners take away from your music?

I've always said that in hitting the crux of a problem in my life, in those moments, I find myself laying backwards on my bed, staring at the ceiling, oftentimes listening to music and just finding that piece that resonates with me, that little nugget of truth - even if somebody's experience is completely different - having that moment of feeling connection or sharing is really, really special to me and really crucial to me and I hope that, when people listen to my music, in that moment, they find something in there that tells them that they are not alone. Somewhere someone is feeling something, maybe not the exact same, but something similar and they're not alone.

Is there anything you'd like to add?

I hope everybody enjoys it and I'm excited for whatever comes after this, but this has been a long time coming. It's been an almost three year project because of some of the losses that are on the album and are a part of that story and I'm just really looking forward to having it out there in the world instead of hiding it and sitting on it and keeping it for me.

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Eric Taylor Escudero by E

Catch up with indie folk artist, Eric Taylor Escudero and look for his new album, We Were Young and It Was Morning, out now.

What got you interested in music and songwriting?

Eric Taylor Escudero: Well, I've always listened to music and my father was a huge Beatles fan so there was always music in my house when I was a kid. As a teenager, I decided I wanted to be a musician so I started writing songs as a joke at first at school and everything, but then it got serious and I've always wanted to write my own music; I never liked to play other people's music, it just never seemed really interesting to me.

Which musicians have you been influenced by?

Speaking about American acts, Bright Eyes' Conor Oberst is a huge influence to me and I really like Ryan Adams and Death Cab For Cutie, as well. I like some British acts like Idlewild and I've always listened to a lot of Oasis so I'm still a big fan.

Who's in your playlist now?

Lately, a lot of Idlewild. I've just rediscovered Basement and some Brazilian music, from the '50s and '60s mostly. The ones I mentioned as well, but Noel Gallagher's new album is pretty good and some Ólafur Arnalds, the icelandic composer.

How would you describe your own sound?

I think it's pretty honest music. I try to sound unique, but not unique in a way that's simply on purpose or unique only to be interesting for other people, I try to express myself, because I believe that if you can express yourself well, then it always sounds unique because people are different and their experiences are different because the way we live our life's is always different. So, I think it's honest, easy folk music with a lot of character - I hope [laughs].

How does your new album compare to your previous releases and could you tell us more about We Were Young And It Was Morning?

Yes, the previous EPs were recorded either in a small studio here in Brazil or in my own house and they feature some old songs with different arrangements and some of them, like "Black River" and "The Uncountable Colours Of The Sky", had been released on the EPs and the arrangements have changed a little bit - or a lot in some cases. I think We Were Young And It Was Morning had a bigger investment in time and also in money, but I had a band with me for We Were Young And It Was Morning and they were really focused and they really knew the songs and they wanted to record the album, so I think it has a different feeling. It sounds more like one piece; although there are some songs that were written many years ago, it sounds like it's always played by the same band, because we were.

Could you sum up We Were Young And It Was Morning in one sentence?

It would be, for me, a portrait of a time in my life; it really is about the years that I've lived before, that's why the name We Were Young And It Was Morning really expresses the years I've had.

Now that the album is out, is there a song that stands out to you, one you'd call your favorite?

Yes, I really like "Fountains of Blood", the third song. I've always liked it, but I think, on the album, we managed to get a nicer arrangement. I've always liked the lyrics but I was not very much satisfied with the arrangement and on the album we have some nice vocals and the drums are pretty nice as well. That one's my favorite at the moment.

What do you want your listeners to be able to take away from your music?

I always think about that. I remember, when I was a teenager and I started listening to music and I really felt that, sometimes, when I listened to some songs, they were really meaningful and it was just like the most beautiful, most important think in life for me. I really want people to have that feeling in a way. I think if people who care about music can connect to me and can feel that it's meaningful to them, then I will be happy. 

Is there anything you'd like to add?

I really hope that people can listen to my music and I hope they can find it online and that they can really get something good out of it for themselves because I believe when you listen to a song, you have a different experience than I, because we have different experiences, and I hope people like it and they tell their friends [laughs].

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