The Only Ocean by E

Catch up with lead singer and guitarist Wesley Hill of indie four piece The Only Ocean and listen to the band's latest single, "Cul-De-Sac", off their forthcoming EP, TOO.

What brought you all together?

Wesley Hill: We’ve all been friends since middle school and playing music was something that we loved doing and still continues today.

Where does your name, The Only Ocean, come from?

It’s from an Arctic Monkeys song called, "Potion Approaching". We picked it when we were 17 and it just always stuck.

Which musicians have you been influenced by?

Growing up I was all about Green Day but now it’s Radiohead, Elliott Smith, Juana Molina and Thomas Newman.

How would you describe your sound to someone who had never heard your music before?

Psychedelic post-punk with a love for bass lines and melody.

What were your inspirations behind your latest single, "Cul-De-Sac"?

When I wrote it, I just felt like beating the shit out of my guitar. I wanted to make something fast and that started off strong and never really let up.

Could you tell us more about your upcoming EP, TOO?

It’s definitely the next step for us as a band. We wanted to make something louder and more aggressive than anything we had done before.

Is there a track off that EP you're most excited for your fans to hear?

"So Shy So High". It scares the shit out of me for some reason but I love it.

In one sentence, how would you sum up TOO?

Pop music wrapped up in delay and feedback.

What do you hope listeners are able to take away from your music?

Any emotion they want. As long as they can connect with it that's all I can ask for.

Is there anything you want to add?

Thank you to Jonathan DeBaun, Graham Ian Ginsburg, and Rick Maybery. And thank you for the feature!

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Emad Alaeddin by E

Photo Credit: Chloe Atnip

Catch up with singer-songwriter Emad Alaeddin and listen to his latest single, "Lucky Day", off his upcoming album, Love, Loss, & The In Between, set to be released this Fall.

What first got you interested in music?

Music has saved me from being a complete social outcast. Since as early as I could remember, I was a terrible stutterer and was constantly laughed at in school when I’d stutter my way through the easiest of words, such as my name. My parents had me see a few speech therapists but all seemed hopeless until we found one that advised that I stretch out my word speak as though I were singing. To my utter shock and surprise I said, or rather sang, my first sentence without a single stutter. The more I sang, the more confident I became and the less I stuttered when speaking normally. Whenever I would realize that the next word would give me difficulties I would say the word even if just the first syllable melodically and muscle through it.

I still stutter from time to time - I just had a bad one at a meeting last Tuesday - but these episodes are few and far between and I credit music for almost curing my ailment entirely.

Since music has figuratively saved my life, I feel inclined to commit my life to music.

Which musicians have you been influenced by?

Western icons like The Beatles and Michael Jackson and Arabic icons Fairuz were the ones that I listened to most growing up. However, it wasn’t until I listened to the stylings and harmonies of Layne Staley from Alice In Chains that I wanted to pursue music. Never had I heard so much depth, angst, and melancholy out of a human being and that rang so true to me with my struggles as a stutterer growing up. I’d always felt out of sync with the world because of my stuttering and the melodies and harmonies that Staley evoked helped me feel a connection with the world.

How would you describe your sound to someone who had never heard your music?

It’s modern pop rock with an Arabic twist to it.

What were your inspirations behind your single, "Lucky Day”?

I wrote it back in 2000 in Jordan after an all night affair helping out a friend with a flat tire. What should have been an easy fix turned into a movie-like turn of events including police, creepy cab drivers, and even UFOs. I must say when writing the lyrics out, it's funny that the final line says "when we're no longer young, you'll look back and say". I don't know, it made me so happy knowing that I'm indeed still good friends with all my loony friends involved in that Lucky Day. I got home at around 3:30 AM and didn’t go to bed until 6 when the entire song was complete.

Could you tell us more about your album, Love, Loss, & The In Between?

Both my love life, my work life, and where I lived suffered a major loss at the exact same time in 2014. I’d left the Middle East and with it I left my job and the band that I’d loved so much as well as someone that I’d cared for deeply. I came to the States with a clean slate and a serious case of post traumatic stress. It took me an entire year to feel a need to do music again. But with time I’d learned to deal with my new reality and I feel stronger than ever and more capable of taking the world on by myself. The in-between is the state that I’m in now where I’m neither in love nor do I feel a loss. And it’s a liberating feeling to not need anyone to feel complete, to feel a part of this world and society.

Could you sum up that album in one sentence?

This album is a timeline of what I have been through over the past two years and where I am now and it’s only fitting that it’s been entirely self-written and self-produced during the time in my life where I feel the most independent; or what I like to call “In-Between"

What do you hope listeners are able to take away from your music?

That they can do anything and be whoever they want to be without needing anyone. The world is a dangerous place but if you equip yourself with the proper strength and knowledge you can take on any challenge and achieve true happiness and freedom from within.

Is there anything you want to add?

On August 1, I’m going to be launching my Patreon page which will give the opportunity to my fans who want to support me to have access to exclusive content for a small monthly fee. This content that I’ll be releasing monthly will include alternate versions to songs that were featured on my 5 previous albums. Acoustic versions, acapella versions, electronic versions, and even songs that have been re-recorded and re-imagined with new vigor. My ability to record, produce, and mix my own material will allow me the ability to release these songs consistently without relying on others’ schedules. It will only require my time which, if my Patreon gets enough monthly donors, will allow me to concentrate and dedicate myself to my music fully.

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CAPTIONS. by E

Catch up with Southern California-based indie rock four-piece CAPTIONS. and listen to latest single, "Bearfights", off their upcoming debut full length album, ITERATIONS.

What brought you all together?

John: Adam and I started writing songs together around 2009, but the band went through a few different variations before becoming what it is now. We met Marcus when he played a few shows with us in another band that ended up breaking up. And Josh answered our Craigslist ad in 2011 after our drummer had moved up North. We officially became CAPTIONS. at the beginning of 2012.

Which musicians have you been influenced by, individually or as a band?

Collectively, the band is influenced by bands like Radiohead, Modest Mouse, Tame Impala, Porter, Elliott Smith, The Beatles, Flying Lotus, J Dilla, and Death Cab for Cutie. There are countless others, past and present, that we’re avid listeners of, too.

If you were to make a playlist to share with your fans, which three songs - from other artists - would you have to include?

Josh: "Host Of A Ghost" by Porter, "1983" by Flying Lotus, and "Age Of Consent" by New Order.

Marcus: Elliott Smith - "Clementine", The Beach Boys - "Don’t Worry Baby", David Bowie - "Heroes"

John: “When You Sleep” by My Bloody Valentine, “Sugarless” by Autolux, and “Weird Fishes/Arpeggi” by Radiohead.

Which words would you use to describe your sound?

Playfully moody, dreamy, slightly hazy, introspective, and slightly weird.

What was your inspiration behind your single, "Bearfights"?

"Bearfights" was written in a similar fashion as the rest of our songs. We start with a rough idea and play it through as a band until it snowballs into the version you hear today. I think the most inspiration we drew on this song was from the drink 'bearfight', which is an Irish car bomb followed by a Jagerbomb. I’m sure it’s inspired a certain level of debauchery in all of us at some point in time.

Could you tell us more about your album, ITERATIONS, and what we can expect to hear?

Marcus: I think you can definitely hear our influences in our music so expect to hear something eerily familiar but present-day fresh.

How would you sum up that album in one sentence?

Supercalifragilisticexpialidocious.

What do you hope listeners are able to take away from your music?

Josh: A connection. To relate the songs to life experiences, whether they be past or present experiences. I’d like for our music to be a part of the soundtrack to somebody’s life.

Marcus: Hopefully our listeners feel inspired to play music after hearing ours. The fact that we can make music and share it with people from all parts of the world from our bedrooms is borderline fairytale. Let’s keep it going people!

Is there anything you want to add?

Guac, please.

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Sivan Talmor by E

Catch up with Tel-Aviv-based singer-songwriter, musician, and activist Sivan Talmor and watch the video for single "I'll Be" off her upcoming album, FIRE, to be released in October.

What first got you interested in music?

Music was always around because my parents loved listening to a lot of good music. But when I was 9 years old, one day I just decided I wanted to study professional singing and I somehow found a conservatory that had opera lessons. So I reached out to my mother with that request, it kind of came out of nowhere because it wasn’t really a common thing for a nine-year old child to ask for opera lessons, and especially not in my family where no one had a thing to do with music. So, we drove there, about a 45 min drive, and asked to take lessons. They said I was too young, and that I could meanwhile start with piano - but I insisted on opera, and was very assertive with what I wanted... So the manager took me to a room and auditioned me and then told my mother that while I might be young,  my voice was ready. Two years later, I decided my dream was to participate in a musical and that’s what happened. I took the train to Tel Aviv (from the north of Israel, where I lived), auditioned in the national theatre, and got it. So, I guess I just had an inner feeling that that’s what I want and have to do in this life, and nothing stood in my way.

Which musicians have you been influenced by?

At the beginning it started with what I heard back home - Peter Paul and Mary, Beatles, Simon & Garfunkel, Leonard Cohen, Crosby Stills and Nash. Later on, great jazz singers such as Billie Holiday and Ella Fitzgerald and, today, Emiliana Torrini, Bon Iver, M.ward, Radiohead.

How would you describe your own sound?

I guess it’s a mix of acoustic folk, with jazz and 60s singer-songwriter influences. 

What were your inspirations behind your single and the video for "I'll Be"?

So the song was actually written as a forgiveness song after a fight I had with my partner. It was my way of trying to say how I'd finally understood and that I'd be willing to be anything for him, if he'd come back and forgive me. Later on, I wrote another verse, and it became a true love song, my first one I ever managed to write.

When Tal Rosenthal and Noam Sharon, the two directors of the video, heard it for the first time, they almost immediately came up with the idea of connecting the song to environmental issues, and I loved it. I felt like it’s an amazing interpretation to the lyrics and environment issues are something that I feel really attached to. It felt like a great platform to bring it out and connect this important message to my art.

Could you tell us more about your forthcoming album, FIRE?

FIRE is a short album, but one that feels like it tells a full story. The songs are a bunch of personal and intimate stories, and Ori Winokur, who produced it, managed to fill the whole surrounding with the exact musical set. He was gentle enough to keep the lyrics and the stories in the middle, very focused and, at the same time, have a greater perspective about a full album that will include many different instruments and rich arrangements. Every song has its own musical world, with different instruments and sounds (from a wind instruments quartet in one song, to a double bass, harp and a glockenspiel in another) but somehow they all connect together in a right way that leads you through one story, one deep journey. 

Is there a track from this album that you're most excited to share with your fans?

I guess each one of the tracks tells of a different experience that I had, and reveals a different side of my personality, so all of them together create a very important and and honest document about myself. 7 songs of 7 different angles of my life story, and in the most exposed way I've ever written for myself.

What do you hope listeners are able to take away from your music?

I hope my music will get into peoples hearts and would let them travel in their own memories. Their childhood, their beautiful moments, their sad ones - their first love, first heartbreak, first cry, first kiss. Probably the biggest thing for me is that people would feel like I wrote their thoughts, and helped them bring up memories and things that, in the day to day run, they hadn't had time to stop and think of.

Is there anything you want to add?

Soon a new music video for FIRE will be released, and I promise it’s worth waiting for! It is not going to be an easy one to digest thematically, but I promise it will leave you with a strong feeling.

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