Unconscious Disturbance by E

Catch up with Kiko (guitar/vocals) and Dan Freiberg (drums/vocals) of Brazilian/American rock band Unconscious Disturbance and watch the video for their latest single, "Eye To Eye", off the band's upcoming EP, Let It Rain, due out September 1st.

What got you interested in starting a band together?

Kiko: Well, we've been playing music together since we were about 7 years old. We come from a very musical and artistic background so we grew up with a lot of music in the house and we used to play but he was always the big brother and he would beat me up and we wouldn't really hang out that much. Finally we started playing because there was a band called Downthesun that we got really into and I learned some parts on the guitar and he learned some parts on the drums so we came together to play and, after that day, we kind of just stopped fighting and started playing music, so it was pretty organic, actually.

Where does your name, Unconscious Disturbance, come from?

Dan: Unconscious Disturbance means a lot of things to us. We wanted something that was thought-provoking and wasn't just an ordinary name that doesn't spark any reaction. Unconscious Disturbance, to us, is basically the urge that I feel that almost everybody feels to just pursue what they really want and to express themselves the way that they really feel they should express. So, Unconscious Disturbance is that feeling that everybody has deep inside to just be themselves and basically say screw everything, I'm gonna do what I wanna do and what I believe in.

Kiko: And to piggyback on that, it also uses the word 'disturbance' which usually has a negative connotation - just because that urge usually has a negative connotation - but disturbance is just an occurrence and if you embrace that and decide to pursue what you want to do, we feel that it turns out you become a happier person and a more authentic version of yourself. That's what the whole concept of this new EP we're releasing is about.

Which musicians have you been influenced by?

Dan: Both Kiko and I come from a rock background: from early on, our dad showed us Black Sabbath and Frank Zappa and Led Zeppelin and all those bands. When I discovered metal, personally, it changed my world completely; I started playing the drums after I heard how crazy metal drumming could be. Those were the early years and, as Kiko said, we started playing together when we covered the Downthesun track, which was a super heavy band from the Slipknot era. After that, we started getting into other kinds of music which is what really contributed to what Unconscious Disturbance is today. Kiko ended up going to jazz school and I listened to a lot of jazz and classical while I was in college.

Kiko: I went to school for also classical composition, not that I'm a huge fan of that term 'classical' but, anyway. And, from there on, I think for the band, The Mars Volta would be a band I would say influenced us a lot. Anything from Muse to Mastodon and there are bands that are continually influencing us that are somewhat new, like bands like Royal Blood who I think is bringing a lot of fresh blood into rock again. So, we're always being influenced by different types of music, whether old or new. And, obviously, because we're Brazilian we grew up around a lot of Samba and Brazilian rhythm, so we always find a way to sneak that into our music.

How would you describe your sound to someone who had never heard you before?

Dan: I'd say we're a little lighter than metal and a little edgier than your average rock and roll, so I usually say rock with a little extra edge.

Kiko: Always a lot of groove.

Dan: A lot of groove and we don't restrict ourselves to a specific genre, we don't try to fit in with other bands just so we can have that niche. We're finding our own niche and our music is for people who love music; for people who are interested in composition that comes from the heart.

What were your inspirations behind your single "Eye To Eye"?

Dan: "Eye To Eye" was a special track on the album because it's very percussion heavy and we had the privilege of having Marivaldo Dos Santos - which is a Brazilian percussion player who is one of the head percussionists for STOMP New York - come into the studio. He's a good friend of ours and so he just came in and spent a whole afternoon with us at the studio just going crazy on percussion, so I'd say that "Eye To Eye" is very Samba influenced, just because of all our Latin roots. Kiko lived in Cuba for a while studying percussion and Cuban and Latin music in general, so I'd say that "Eye To Eye" is a song where we take a lot of our percussive influence and blend that with the rock and roll background that we have. For fans of Mars Volta or bands that have heavy Latin influence mixed with rock, I'd say "Eye To Eye" is a great track for them.

Kiko: And in terms of the meaning of the song, it can be about that whole idea of being yourself and exploring who you really are. Actually, we got invited to go out to a pretty fancy club by some guy in the Meatpacking District once and we were there and we noticed that a lot of people were so worried about projecting an image and I felt like I wasn't really meeting any individuals. We just started talking about that and we left the club and went straight to the studio and spent about 8 hours there through the morning and that's when the first track, "Eye To Eye", came out. We incorporated this idea of the percussive element which is very visceral feeling and we really tried to layer that and have that mix with - and it's probably our song with the most - vocal harmony. So we kind of tried to embody that whole concept of very heavy percussion, very visceral, but then we go into a heavy, harmony oriented vocal atmosphere.

Could you tell us more about your EP, Let It Rain?

Dan: Let It Rain compared to our last album, Shooting At The Moon - which is a very progressive album, some of the songs are about 10 minutes long, one that's 16 minutes long - with this new EP, we started working more with repetition and you'll have verses and choruses and pre-choruses and whatnot, but we're trying to keep every part of it spicy and so you'll always have something new that you can find. All the songs are a lot shorter, but it's going to be a pretty edgy but at the same time pretty catchy EP.

Kiko: To build on that, I think you can expect a lot of musical variety. We've only put out "Eye To Eye" - that's definitely our more percussive and vocally rich song, in terms of harmony - we have other songs that are just more in your face, hit hard, rockin' tracks. We tried really, in the EP, to take the listener through a complete trip. The next song we're going to put out is going to be "Scream" which is more mysterious, wall-of-sound chorus, more straight-up rock and roll song. We always try to go different places. We try to stay away from the whole album that is just a repetition of your best song, we really try to go different places so, even if it's a short EP, you get to go to a lot of different places, musically.

Dan: Yeah, and I'd say it's even riskier than our last work because it has a lot more attitude and has more of a clear message. Let It Rain is more about bring it on and allow things to be as they are and really embrace who you are and stick to that. We have new members, we brought in a lot of their punk influence - Danny and Tim both come from a very big punk background - so I'd say it's almost more unique and we're really, really pumped about it.

Is there a track off this EP you're most excited to share with your listeners?

Kiko: It's hard, since we've put so much work into every track. For me, I'd say, probably "Our Secret", just because it's got a cool music video that we're going to release in the next couple weeks. It's a song that we had a lot of fun writing, I think the production came out amazing, and the music video that goes with it just brings a whole new experience; you can expect a very action packed music video for "Our Secret".

What do you hope your listeners are able to take away from your music?

Dan: We're hoping to have people have a fresh take on rock and we really don't believe when a lot of people try to say that everything's been done before in rock. I think that this EP is pretty unique and we just want to throw our name on the map and just have people have a good time and just rock out and let loose. That's the whole point of the EP, is for you to put nothing on and to just let go and that's what we project at our shows. At our shows, everyone just throws down - people dance, other people headbang, other people mosh - and it's about just embracing everyone and just having a good time, really.

Is there anything you want to add?

Kiko: I guess we just hope you all enjoy it and come out for our shows. Check out what we do and stay tuned because we've got a lot of new material coming out soon; we've already started working on the next EP and I think we're just going to be a machine at this point. We'll be hitting the road starting September 1st and through October 15th we'll be playing pretty much every night, so go online to unconsciousdisturbance.com and check out the tour dates.

Dan: Also, the EP is going to be released on September 1st and following up to the EP we're dropping about a track a week online, so that'll be everywhere on our social media, Facebook, or the dot-com, as Kiko mentioned. Again, we're a pretty unique name, so we're not hard to find and, yeah, stay posted, keep rocking, and I hope to see new faces at our show!

Upcoming Tour Dates
Aug 25 – Annandale on Hudson, NY – Bard College
Sept 1 – Stamford, CT – Seaside Tavern
Sept 2 – Bridgeport, CT – The Acoustic (with Chaser Eight)
Sept 3 – Cranston, RI – 1150 Oak Bar
Sept 4 – New Haven, CT – Stella Blues
Sept 8 – Worcester, MA – Ralph’s Rock Diner
Sept 9 – Stratford, CT – Main Street Tavern (with Chaser Eight)
Sept 14 – Rochester, NY – Pineapple Jack’s
Sept 15 – Boston, MA – Thunder Road
Sept 29 – Beckly, WV – Muncheez
Sept 30 – Hickory, NC – Wizard Saloon
Oct 1 – Fayetteville, NC – TBD
Oct 4 – Chattanooga, TN – Ziggy’s
Oct 6 – Nashville, TN – Daisy Dukes

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The Nightowls by E

Catch up with Ryan Harkrider, frontman of Austin-based soul band The Nightowls, and watch the video for "Right Around The Corner" off the band's latest EP, Royal Sessions, out now.

What brought you all together?

Ryan Harkrider: I'm actually the only one born and raised in Austin, everybody else is a transplant. We've got folks from California, Wisconsin, the East coast; basically from all over the U.S. The Austin music scene is really vibrant and all of our guys are studied musicians and all came to Austin to play in bands and play music and, particularly, came to play in soul and Motown bands. All of us grew up listening to this kind of music and fell in love with it and have played in other similar projects and I started the band about 4 1/2 years ago now. I had been in another soul band and I had all of my songs - I wasn't a band leader at that point but I was a songwriter and I had a bunch of songs - that I felt would be good for a project like this, so I started this band with some of the guys that are in the band now and we made our first record and we've been making records and touring ever since, basically.

Do you remember the first song you wrote?

I'm trying to think... It might have been our song, "I Don't Mess With That". I don't really know but, probably, there's a song on our first album, Good As Gold, called "I Don't Mess With That" and it was definitely the first one or two songs.

Which musicians have you been influenced by?

Stevie Wonder, Al Green, Michael Jackson, Prince. I'm a big Beck fan. A lot of '60s and '70s soul and Motown, so I love The Jackson 5; I love The O'Jays; Earth, Wind & Fire. Yeah.

How would you describe your sound to someone who had never heard your music?

Man, you'd think I would have a good answer for this but I don't [laughs]. We're a high energy, soul, RnB, and funk band steeped in the classics - the '60s and '70s - style and presentation but very much a modern twist to it.

Where does your name, The Nightowls, come from?

[Laughs] Honestly, I'm not really sure. Basically, it's just a melding of two things. I really like owls, since this started 15 years ago and I just think they're really interesting and really noble and, of course, they stay up late... There's no meaning behind it necessarily [laughs]. Other than like, I kind of suffer from some pretty real insomnia and nightowls is very fitting for both of those two ideas.

Could you tell us more about your new EP, Royal Sessions?

Sure. Royal Sessions is a continuation of an idea that we had a year and a half ago where we wanted to take the band to classic studios that have made records with some of our heroes. So, about a year and a half ago, we made a record at Fame Studios in Muscle Shoals, Alabama, which is where Aretha, Wilson Pickett and, then really, more or less notably - but more importantly - The Swampers, which is the house band that basically played on all of those records that we know and love. So we made a pilgrimage, basically, to this studio - which is still a working studio - and we made an album there. We were very much inspired by that sound, by the room, and we even brought in some of those Swampers who are still alive, some great musicians, to play on our album.

For, Royal Sessions, we wanted to continue this idea and go to a different part of the country and tour to a different style of music and that was Royal Studios in Memphis, Tennessee. Royal Studios, notably, one of our heroes, Al Green, that was the place where he cut and recorded "Love and Happiness" - among many others - which is one of my favorite recordings of all time. We really wanted to go there and be inspired by the room, by the city, by the music, the studio. Simultaneously we found ourselves, about a year ago, we were going to the studio with a band that really, for the first time, had found our process of writing music together and we were able to really collaborate to a very high level which, in turn, really made this recording and this album probably our best work to date, because we all got to put our blood and our sweat into these few songs and these recordings. All of these songs are very true to our experience as a band going into the recording. A lot of the songs were written on the way to the studio and we really wanted to make something that was very timeless and very much captured our sound, our process, our experience, and our life as a band last Fall.

How would you sum up that EP in one sentence?

Uhm, I don't know [laughs].

You're on tour now, do you have a favorite track off that EP to perform live?

Different songs for different reasons. "Right Around The Corner" is always a good one. It's usually our show closer and it has a great call and response at the very end, which we love getting the crowd involved, singing and dancing, and there's a moment at the very end where we get everybody involved, which we really love, so that's probably our favorite.

Could you tell us more about your video for "Right Around The Corner"?

We actually brought our friend, Jeff Ray - who is a director in Austin, Texas who's done videos for Sigur Rós and Blue October and he's extremely talented - and we got him to come out to Memphis back in December when we were recording Royal Sessions. After recording the album we were in the studio for a couple days and, on the last day, we set up the camera and basically just performed "Right Around The Corner" live. For us, as a live band, trying to capture that energy and the performance on film is always what we want to do. What we love about it, like I said, is at the very end of the song there's that call and response and that's one of the best moments we had in the studio together as a band; singing and laughing and dancing and having a good time in the studio. So, the video's a lot of fun. It's got video to it, obviously, but also we captured a bunch of black and white photographs that catalog and give a good little snapshot to life in the studio as a Nightowl.

What do you hope listeners are able to take away from your music?

The reason that we like this style of music is because it's all about connecting to an audience, it's about playing music but it's also about getting people on their feet, dancing, enjoying the moment; you're very much trying to connect with people. So we hope that people, when they hear our music, they find something that - and lyrics - that resound in them but, also, just, we hope that this music makes people feel good, it makes people want to get up and dance and have a good time.

Is there anything you want to add?

We're on tour right now and we're on the West coast. We've been touring for the last 9 days up on the West coast and we head to Denver in a couple days and then home. Then, in October, we are touring again; we'll be on the East coast, so Chicago, New York, Boston. We'll be going up through Memphis, Nashville, and Atlanta so, if people are around, come see us.

Tour Dates
8/17 - Cervantes - Denver CO
8/19 - The Blue Light - Lubbock, TX
8/26- The Phoenix Saloon- New Braunfels, TX
9/2- The Palace Theater- Bryan, TX
9/3- Three Links- Dallas, TX
9/9- The Continental Club- Houston, TX
9/16- House of Fifi Dubois- San Angelo, TX
9/22- Discovery Green- Houston, TX
9/24- Pecan Street Festival- Austin, TX
9/25- Texas Reds Festival- Bryan, TX
9/30- Levitt Pavilion- Arlington, TX
10/1 -Lafayettes - Memphis TN
10/4- Beachland Ballroom - Cleveland OH
10/5- Tellus 360 - Lancaster PA
10/6- Pianos - NYC
10/7- Union Hall - Brooklyn
10/10- Local 506 - Chapel Hill NC
10/11- The 5 Spot - Nashville TN
10/12- Smiths Olde Bar - Atlanta, GA
10/14- Maison - New Orleans, LA
10/21- Phoenix Saloon - New Braunfels, TX

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Minor Soul by E

Catch up with acoustic pop duo Minor Soul, listen to the brothers' new single, "One Chance", from their upcoming album Nights Like This and check out their last interview with us to hear more about the singer-songwriter duo.

What were your inspirations behind your single "One Chance"?

Jack: "One Chance" is about speaking your mind even when it is difficult, but you know it's the right thing to do. It's a meaningful song to us personally but it also has a laid back and fun summer sound.

Could you tell us more about your upcoming album and what we can expect from Nights Like This?

Max: The new album is bigger and every song is really powerful, I think. We have gone through a lot personally since the Tiger album and I think it shows in our songwriting. The album has a lot of really fun songs but also the kinds of sensitive songs that we had on Tiger.

In one sentence, how would you sum up Nights Like This?

Jack: What everyone is thinking versus what everyone is saying, what everyone is saying versus what everyone is feeling. 

Is there a track off that album you're most excited to share with fans and listeners?

Max: I'm really excited about the song "Million Pieces", which is one of my favourite Minor Soul songs ever.

Jack: I'm even more excited for an incredible song Max wrote called "The One Who Gets The Girl".

What do you hope listeners are able to take away from your music and Nights Like This?

Jack: I hope our fans and new listeners will be able to relate to our lyrics because they are about everyday situations, and I hope they also see us as a breath of fresh air compared to most of the quite electronic pop on the radio.

Is there anything you want to add?

Max: Look out for a new single coming soon and thanks to all our fans for sticking with us for three albums now! Love you guys!

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Eyelid Kid by E

Catch up with Austin-based indie eletro-pop group Eyelid Kid's Paul Grant and watch the video for single "Landscape" off the group's upcoming album, Hometown, to be released this Fall.

What brought you all together?

Paul: My drummer, Sam, he's been my older brother's friend for a long time so he's known me since I was 6 years old so I kind of grew up with him and he watched the project grow and saw what I was doing and really wanted to add his touch to it, add live drums and make the live show a little bit more interactive and energetic. So, he joined in and then I performed with the two Taylor twins - dancers - they improv-d at one of these art shows that we were throwing and it just meshed really well with the music, their style of dancing, and so they just joined in as if they were a bass player or guitar player, something like that; we picture them as much a part of the band as any other member would be.

Which musicians would you say you've been influenced by?

Well I started out just listening to pretty indie music and experimental music but, as I've grown up in the music scene, I've slowly just gotten more attracted to pop. Lately, I would say Drake has been a really big influence on just songwriting and lyrics and melodies and things like that. Justin Bieber's new album is really killer, I think, with the times and sounds. And, besides that, Animal Collective was really influential a few years back and Vampire Weekend and Foster The People; I'd say those are a good solid few.

What words would you use to describe your own sound?

We've kind of been calling it frosting pop which I guess is kind of hard to describe, but I think it's really a blend between hip hop influence and indie pop. It takes on two pretty different cultures and blends them together a little bit, but the production is very electronic and pop-y and the vocals are very, I wouldn't say out of my element in the way of hip hop, but they're like rhythmic, sensual rap.

I think what's funny about that is just, being here in Austin, it's very not a pop culture city. There's just a lot of people being alternative and rebelling and a lot of bearded hipsters and specialty beers and it's just funny coming out of here. I mean, there's a lot of people who support it too, but I feel like a lot of people don't really know what to think about it.

What were your inspirations behind your single and the video for "Landscape"?

That track was a bit different, it was more of a synthetic ballad of sorts. It didn't really have a lot of different parts, but it definitely had build and intentisty. My girlfriend at the time, she just really liked that track and wanted to make a music video for it so we went into this abandoned house and we were a little intoxicated and started writing the music video that night [laughs] and the next week we went and shot it. I think that house that we were in really shaped the inspiration for the music video because it was a very old house, very haunted feeling because no one had lived there in a really long time, and it seemed like everything was really empty and decayed. The kind of lo-fi scary aesthetic I think came from just the location and being in that space.

Could you tell us more about your upcoming album, Hometown?

Yeah, Hometown is the first body of work that kind of represents the style or that sound that I feel I've really found, that blend between hip hop and other genres - like indie pop and alternative, whateve you want to call it - so I think it's its own thing as a pioneer of that, for me at least. Other than that, it's my first body of work as a producer. I self-produced all of it and, actually, it has a few credits for producers who helped me on a few tracks but, for the most part, it was all out of the bedroom and learning software and everything, so I think it's a really special project in that sense. It's just a first of many things for me.

Is there a track off that album you're most excited to be sharing with fans and listeners?

I think the ones that may not get the most hype are a track called "White Noise" and a track called "Man". They're a little more just softer, introspective songs that aren't just about a relationship of anything like that, they're kind of just father questions for me and I think, for that reason, they hold a special place and I'm just really excited about them. But then, besides that, I think "Touch" is one that stands out to me on the album; it's one that actually uses acoustic instruments and things like that, so it really blends the electronic and acoustic world together in the album.

How would you sum up Hometown in one sentence?

Hometown is understanding a dream but questioning reality.

What do you hope listeners are able to take away from your music?

Just a relatability to it and just enjoying it, it being true entertainment that they can just listen to with their friends. There's tracks like "Heartbeat" that can just wash over you and just be dance-y, but for those who want to listen in deeper to some of the lyrics on some of them, I hope to just relate with people and address some of the feelings that I feel like a lot of people are feeling right now.

Is there anything you want to add?

I also do fashion. It's at eyelidkid.com/wear and I'm pretty into it and wanting to get more into it. I'm about to go to Fasion Week in New York in September; I'm pretty excited about that but, yeah, it's just another aspect of the project.

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