Hayley and the Crushers by E

Catch up with San Luis Obispo-based band Hayley and the Crushers' Hayley Cain and listen to the punk rock trio's debut album, Jewel Case, out now digitally and on cassette.

What brought you together?

Hayley: In his daily life, Reid Cain (bass player) has a comic book shop in our little town of San Luis Obispo. Gabriel Olivarria (drums) would come in with his metal friends (Gabriel was in a metal band called Wolfcross at the time), and Reid would just yell, "METAL DUDES" whenever he'd see them. Then, we went to see Wolfcross play at a crappy bar and were transfixed by Gabe's drumming theatrics. He was always spinning his sticks and pointing at the audience and really hamming it up. We ate it up right away - we both love the idea of creating a persona and unleashing it on the world. Reid and I met in 2011 when we became fans of each other's bands in SLO. I was playing banjo in a bluegrass project and he was doing his classic country band, Red Eye Junction. I tried out for Red Eye Junction and our first practices became "dates." We got married in 2013 and we still are pinching ourselves, because we have so much fun and both of us believe that "the one who dies with the most records wins." We've recorded about five albums together and we're always making up dumb songs every day about our dogs or world events. Our relationship has always been based on making art, and seeing each other's visions through. In 2012, he was like, "let's start a punk band," so we did. Living in a small town, we got to play with ridiculous acts like FLAG, Jello Biafra, Agent Orange, Adolescents, The Weirdos - people we had idolized as kids growing up in the punk scene; that was our band, Magazine Dirty, which had a really sloppy, sleazy late 70s punk feel. He played rhythm guitar and I played lead, but we were more "off to the side." That band gave us a taste for blood in terms of what rock n roll can do and how it can move people. Everyone loves rock n roll. Everyone wants a hot danceable beat you can just sweat to. With Hayley and the Crushers, our newest project, I am in the spotlight and I am the band leader, which is newer to me. It feels right at the time in my life and where we are in society - the power of women is ripe. The boys - my crushers - have allowed me to just fly. As long as I feed them pizza and Coke Zero, they pretty much do my bidding.

Which musicians have you been influenced by?

Gabriel grew up with metal through and through. He more recently has thrown himself into the punk realm and even the pop realm - as long as it has a good beat and "doesn't suck," he'll give an open mind. He works at our record store in town, Boo Boo records, so he is ridiculously eclectic with his tastes, which range from GG Allin to Roky Erickson to Peach Kelly Pop. Reid is a weird guy, his tastes are so surprising. His favorite band is Neurosis, but if you look in his record cabinet, you'll see classic country like Waylon Jennings, Madonna, and 1960s exotica. I grew up on a solid diet of classic gold oldies like Leslie Gore ("It's My Party and I'll Cry if I want to"!) and 80s punk like X, the Stooges, and the Go-Gos. It was those female-led bands that really captured my imagination as I started playing guitar at 12, but once I became a teenager, it was all about trying to replicate furious chords of Black Flag. If it was loud and powerful, I wanted in.

What words would you use to describe your sound?

We flip the script on the traditional three piece with massive, fuzzed out "lead bass" riffs and a shimmering, metallic rhythm guitar that sounds like broken glass washing up on shore. Gabriel is the master of balancing between "dance party" and "mosh pit," creating a swinging, animalistic beat that beckons you to dance, even if it's a weeknight.  I like to say we sound like Joan Jett on a surfboard. One time, a friend's mom said we sounded like a bunch of demonic Go-Gos. That was the highest compliment.

Could you tell us more about your new album Jewel Case and what listeners can expect to hear?

It's got its sexy sloppy points ("Backseat Love") and its '60s prom slow dances ("Glitter and Glue"); it has its surfy sparkle and garage-inspired moments ("Gidget's Revenge"/"Siren's Call"); but, under it all, there is a vulnerability of a real beating heart. I don't sing "pretty," I sing true. This album is me playing dress up and then turning around and tearing it all down. Three chords and the truth is all I have ever wanted to convey. There's no fat on this record - it is 100 percent fun, 100 percent rock n roll. It represents us and what we want to put into the world. IF IT'S NOT FUN, WHY ARE YOU DOING IT? We released this one on cassette because cassettes are cheap, fun, and cute. Kinda like our band.

Is there a track off that album you'd say you were most excited to share with fans?

"Glitter and Glue", because it plays to my Leslie Gore fantasy, and it starts with a really good line, which is actually true: "She said you look like a child prostitute, I said mom I look cute." The other song would be "17 Strum", which I wrote for my 17-year-old self. I dedicate this album to all the girls with busted up skateboards and shitty guitars, dancing in their basements. You are the next Blondie, the next Loretta Lynn.

How would you sum up Jewel Case in one sentence?

Glitter, studs, leather and a whole lotta Coke-a-Cola Slurpee melted on top.

What do you hope listeners are able to take away from your music?

In this day and age, being powerful and owning your own creative power is subversive, doubly so if you're a woman. Having fun, in general, is subversive. Society wants you to be its pawn and do its bidding. That's lame. This album says screw that. You are a bad ass and we want to party with you.

Is there anything you want to add?

Buy our cassette and support cassette culture! We also make fake 8 tracks and have pog download cards. Next up, wax wheels covered in hot pink glitter. Seriously though...it doesn't matter how you consume it as long as it hits ya in the heart. XO!

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Gabriel Wolfchild & The Northern Light by E

Photo Credit Michael Porter

Catch up with atmospheric folk collective Gabriel Wolfchild & The Northern Light and watch the video for their latest single "Runaways" off the group's debut EP, Mornings Like These, out soon.

What brought you all together?

Gabriel Wolfchild: I worked as a solo act for a long time and I was doing the wandering, traveling guitar player thing. And then I basically moved to Seattle and, pretty much, right after moving to the city I got picked up by The Voice and The Voice was a good experience then, once I got kicked off and I was done with The Voice, I landed back here and I was like, 'crap, what do I do? I need to do something great!' [laughs]. I ran into my friend Dave who I was living with at the time and he came to one of my shows and he was like, 'we should make a band,' and that led to me gathering just the musicians that I had around me that I played with casually and making it into something more official. Like, Jen was somebody that was actually probably my first friend here who I met at a coffee shop and we just had an instant connection and we decided we wanted to start playing music together and so we played open mics. So, I had individual connections with all the musicians, I would say. My brother's the drummer, but I played with him a lot for a long time, too... It was this larger movement of us all coming together and creating music together which was definitely different because I'd done a lot of the duo thing.

David James: It kind of happened during the recording of the EP, actually.

Gabriel: I guess that's when it began more.

David: Yeah, 'cause it was just myself, Gabe, and his brother, Elon, going in to the studio and we recruited Isaac Castillo to play bass and upright bass and any number of other things that he ended up doing in the studio, but he basically joined the band his first day that the band was in the studio and then he just never left, fortunately. And then, by the end of the recording, we had picked up Jen and she was tracking and the last member to join was Mr. Robert Lee, who's our french horn and trumpet player. It happened that, as we made the album, we made the band.

Which musicians have you been influenced by?

Gabriel: I'm always listening to new things. I don't know if I'm directly pulling things from other people, but we're all kind of like frogs and we're always soaking in things that we're listening to and hearing moments. As far as bands I've been listening to recently, I really love Gregory Alan Isakov. The Paper Kites, that was real instant with them. I also do have deep folk roots like Bob Dylan and that Woody Guthrie feel. It's somewhere in-between this indie rock atmosphere and these folk storytelling roots is, I think, what comes out of us.

How would you describe your sound to someone who had never heard your music?

Gabriel: Yeah, something kind of like that. We've been saying cinematic indie folk is our genre because it has lots of dynamic and it moves and it goes places, it travels, but it does come back to a story, like a singer-songwriter song would. The lyrics are really important and that's a big piece of it, but it does expand.

David: Like power ballad Bob Dylan.

[Laughter]

Gabriel: Yeah, right.

What were your inspirations behind your single and the video for "Runaways"?

Gabriel: The single was actually interesting. I was reconnecting with a past partner of mine, like we were in this friend state and I was really seeing how we had connected and how she had affected me and how I wasn't really only affected by her, but by so many people in my life - literally everyone that I had been in touch with. We are this moving collage of a human being, we pick and choose all these little moments and it does shape us, the experiences we share with people, and that was something that she was also discovering, so we had that conversation and it, eventually, turned into a song.

With the video, we wanted to talk about that in a way and so it was this idea of meeting, connecting, and then taking something with you and then passing it on to the next person; meeting, connecting, and passing it on to the next person... It really just gives that initial love a life of its own that's moving.

Jen Monete: Yeah, I feel like the heart and soul of that song is in one of the verses that says, 'everyone you've loved, everyone who's broke your heart, soulmates from the start, soulmates even after we depart'; and it's just how you might have a connection with someone that's really momentary or really long lasting and it might not work out with that person or you might be friends and you get separated by distance or something that happens in your relationship, but it's an acknowledgement that you're going to meet so many people in your life and keep them with you in so many different beautiful ways.

David: Thinking back to this Summer when we were talking about which song to make a video for - it was our first video debut - so we wanted it to embody specific things, not just about the song, but about what we want the band to be, how we want to portray the band as a whole, and that song is actually really good for that. Because, we believe that, as musicians and as a band, that's our job, is to connect people and to remind people how we're all connected. I remember everybody talking about that and that seemed that it was a lot of the inspiration behind it, too.

Could you tell us more about your debut EP, Mornings Like These?

Gabriel: Yeah... It's so hard to talk about music with words, it's something I struggle with.

Jen: Let's sing a song!

[Laughter]

Gabriel: I would say, it's definitely got a core of vulnerability and truth-telling and really taking off the mask, for me at least, on it, definitely. Singing about things and talking about things that I needed to. A lot of it is this storm of a relationship that I was in, but the beauty and the darkness in that and the acceptance when it comes to a close. Learning to be present, I think, is a big moment in that EP. The textures we're using are pretty diverse, too; technically we have some really interesting sounds we're playing with: we use audio samples of tree leaves and we got wine glasses and just doing all kinds of weird, atmospheric stuff. That's something I really wanted to incorporate, something that would take this singer-songwriter song and just place it in a world of atmosphere and emotion.

Jen: Yeah, and Eric Lilavois at London Bridge Studios was really an amazing person to work with this on and he would do really amazing things. Like, he secretly recorded us just talking in the booth and then he played it backwards over one track and we all freaked out because it was so amazing. I think he added a lot of elements to that, too.

Gabriel: Yeah, he was amazing. Super awesome navigator of the seven seas.

David: As far as what you'll hear on the album, besides what we did, you're going to hear a lot of Eric's genius, you're going to hear magic from London Bridge - 'cause it's such a freaking magical place. Yeah, I'm really excited about it.

Is there a track off that EP you're most excited to share with listeners?

Gabriel: We're probably all going to have different songs... I'm really excited to see how people respond to the title tracks "Morning Like These", which are definitely different. They're probably the most outlandish style music that are on this first EP and they actually do point to where I think we want to go. It's definitely less folk-y and more, I don't even know what genre you'd call it, it's definitely something different, it's an immersion in sound and more experimental - and I personally do want to start trekking down that road more - but, there's other songs on the EP that are more accessible, though. I'm curious to see how those songs do.

In one sentence, how would you sum up Mornings Like These?

[Laughter]

Gabriel: Can we create one?

Jen: Yeah, let's create one.

[Laughter]

Jen: It's the journey

Gabriel: through many transparent layers

David: so wear a hat

Jen: because sometimes it'll rain

Gabriel: sometimes it will shine

David: and everything is going to be just fine.

[Laughter]

Jen: Was that good? It rhymed.

What do you hope listeners are able to take away from your music?

Gabriel: I really see music as a medicine and it's definitely been medicine for me in the past, and so I think this is the beginning of my paying it forward, in that right. I can't tell you how important it was for musicians to be vulnerable and speak about the things that I thought I couldn't talk about with anybody and have that voice in my ear growing up. I'm hoping that these songs are able to touch people and heal people and help them feel understood when they feel alone. That, I think, is definitely a core mission of what we're doing together, we definitely want to create music that's medicine.

Jen: Yeah, the thing that I look for in writers and songwriters is if they're able to say something or explain something that I've felt or experienced, but never been able to put into words. I feel like something we're really trying to do with this music is be able to put those emotions into words and into music, as well.

Is there anything you want to add?

Gabriel: We love you a lot.

David: Thanks to all the readers for reading and the listeners for listening, because we - just as you - all of us need them very badly.

Gabriel: It's definitely a symbiotic relationship, because we're all inspiring each other and I think that's a beautiful thing.

Photo Credit Michael Porter

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Jody Quine by E

Catch up with singer-songwriter Jody Quine and listen to the title track off her latest album, Stand Up, out now.

What first got you interested in music and in songwriting?

Jody Quine: Well, I believe I was always built to do it, without actually understanding that's what was up. I used to write songs when I was younger and I didn't even realize that's necessarily what I was doing. But, I ended up doing improv comedy - I got into it pretty heavily in my teen years, actually, when I was about 16 - and I had a friend that was doing a children's play and she would just sing songs and I would harmonize with her and she said, 'I think we should do an open mic together,' and I said, 'that would be great! But I feel kind of silly just standing here while you play guitar and sing and I just sing the oohs and ahhs,' and she very generously offered for me to sing lead. So, when we went to the open mic, I hadn't really sang publicly before - well, I think I did some karaoke when I was a little younger [laughs] but by now I was maybe 18/19 - and I shut my eyes and started to sing and, within the first minute, the room went just silent. It was very intimidating. So, when the song ended, I kept my eyes closed, I was waiting for some sort of a response, and when I opened my eyes, the room just erupted in massive cheers and people standing up and applauding and I was blown away. I was like, 'oh, this is what I'm meant for'. So, that was really what first got me stuck [laughs] as it were.

Do you remember the first song you wrote?

I was just telling this to my daughters and a friend last night! I was 13 when a song kind of just came out of me and I still remember it. It's basically about kids going outside to play in the rain and their mother getting upset because they're outside [laughs]. It's very like, [singing] "when the rain comes falling down and covers all of the ground" and really dramatic [laughs]. So funny. But lyric writing, I just used to write poems and the way I'd come back and repeat stuff, I looked back at it later and I was like, oh, that's a verse and that's a chorus! So I had no idea. I started harmonizing when I was 3 with the vacuum cleaner. It was, like, my favorite thing to do, just feeling the music vibrating through my body, harmonizing with the vacuum cleaner [laughs] because, back then, vacuum cleaners were really loud and multi-tonal. I don't know. It was much older before I looked back and realized all the clues were there.

Which musicians would you say that you've been influenced by?

I always find this an interesting question because I try to figure out what my influences were, but I think, what comes out of me musically, rarely matches what I listen to. I first fell in love with music with Soundgarden and Pearl Jam in the '90s and, I guess before then, with chick-singing ballads and stuff, but it didn't really land... But still, what comes out of me is very ballad-y but, when I first fell for music, it was really hard and had message and passion. Nowadays, I recognize that what I do like to listen to is anything that's got a great melody that's fun to sing to. It can be from musicals like Phantom Of The Opera or [laughs] The Little Mermaid to Sam Smith, Mumford & Sons and Adele. Things that have great melodies and that are awesome to sing, I imagine are what really influence me, because that's what I love to feel, the music coming through me in all these ways.

Some artists definitely know, like, 'I love these three artists and I want to sound like them,' or 'these people really speak to me and they influence my music, greatly,' but I didn't listen to music for a lot of years because I - specifically, when I discovered in my early late 20s that this was definitely the way that I was going to go with my life - I stopped listening to stuff because I just wanted to know what was coming out of me. So, my life was more of an influence than an audio sound. And I was getting compared to Joni Mitchell a lot, so I definitely didn't listen to her until I was like 30 and then I listened to Blue which, of course, is just such a beautiful record. There's definitely artists and songwriters that I admire; Ryan Adams is my favorite. I think maybe my music does lean in that direction, but I think I'm more influenced by my daily life, what goes on around me affects what I'm thinking and that's what comes out of me when I'm writing. The music that comes out of me is an emotional response to my life, more than an audio or sonic impression - if that makes sense [laughs].

Which words would you use to describe your sound to someone who had never heard you before?

I'm a singer-songwriter and my most recent record is with piano, but my earlier work would be with my acoustic guitar. I started out, breaking through, singing ambient electronic pop and toplines for DJs in EDM music. So my first solo record in a long time, I did my singer-songwriter stuff and it was produced by Rhys Fulber of Conjure One and Delerium and we did an electronic production over top of my singer-songwriter to help transition my sounds to what it is I create at home. I get compared to Sarah McLachlan a lot; and Tori Amos I'm getting on this record, which is really nice; Aimee Mann. So it's definitely the singer-songwriter style.

What were your inspirations behind your single "Stand Up"?

A very close friend of mine was going through a hard time in her marriage and I think, so often as women - and men also, just as people - we are so busy trying to make those around us happy, that we put ourselves bottom of the totem pole. The best way for us to find our path to being happy so that we can be all these things for those that we love, is to be true to ourselves and speak with our own minds. If you are always being put bottom of the totem pole, it's time to stand up and say, 'this is my truth, this is what I'm worth, and this is what matters to me and everyone needs to adjust to include my wishes in the mix'. The lyrics are "stand up to be counted, stand up for your rights, stand up and face your truth, 'cause your freedom waits on the other side". It could be saying to a husband, 'I'm not just here to take care of the kids and clean all the time and work while you just get to come and go as you please' - not that that was her situation - or to so many of my friends in the '90s who were struggling with coming out to say, 'I'm gay,' so that they could literally step forward into the next phase of their lives, being true to themselves and having happiness based on who they really are. Or, anyone who's being oppressed in any situation, they just need to stand up to be counted. I'm right here, I'm important, I'm valued, I'm worthy, and I know I'm important, valued, and worthy, because I value myself that much. That's kind of the idea behind that song.

Could you tell us more about your latest album Stand Up?

I used to use relationships for songwriting fodder - before Taylor Swift was probably even born [laughs] maybe not quite that long ago, but definitely a long time ago. Then, I met my husband and I stopped writing music because I was happy; I was no longer throwing myself into these unrequited or messy love situations. Then I started writing again after I had kids and I started having a bigger perspective on the world and being more aware of the larger theme at hand, from the struggles of a stay-at-home mom who's trying to follow her dreams in time to seeing some of the horrific oppression and racism that's been happening in the world. I have a song called "Love You To Lead" which is a song that was inspired by the image of the black police chief walking the Ku Klux Klan member in from out of the heat because he was getting heat stroke and just how incredibly moving it was that he had to be the bigger person, full of love, to guide this man's hate to, hopefully, a place of healing; it was such a powerful image to me, so that's one of the songs. I do have a long song or two on there for my husband, because I know now you can write songs about love being good, as opposed to being unrequited. There's also songs about growing and changing: as all artists and humans do, I went through a depression a couple of years ago and I wrote a song during. For me, that depression was really, when it comes down to it, it's such an emptiness and a stillness: if you quiet yourself down, there's nothing. When I just sat still, this song came out, it's called "Go On" and so I think it's an important song and it's also important to recognize that we all struggle at times in our lives. It's [Stand Up] a real cross section of everything. My best friends and I grew apart and there's a song about that; a girl friend of mine was dating a guy off and on for years and there's a song inspired by that; it's a cross section of just being human in today's day and age.

Could you tell our readers more about the Live Your Dream Tour that you'll be going on in 2017?

Yes! Super Exciting! We did a big gala benefit event in July in L.A. at a beautiful, large theater called the Wilshire Ebell, which is just a stunning theater, and it was so fun. We had The Emotions play and Nikkole, who's a top ten recording Billboard charting artist, and Jon Mullane who's also a Billboard charting artist; we had Ron Deuce; I emceed the whole show and played a couple songs. Just a wonderful collection of incredible artists, and we're all basically there to raise money and help inspire the next generation of creative musicians, more so than anything. What the plan is, we'll go into two cities that are close to each other, within 5 or 6 hours apart, and during the week, we'll go into the schools and the community and help teach the children our different strengths. Ron, the rapper, he might talk about rapping or poetry and I have the improv comedy background, so I'll talk about improv and freeing yourself up on stage. We all have these different strengths that will help teach the local community when it comes to the arts and expressing yourself through music or just creatively. Then, at the end of the week, we do a show in each of those cities and tickets are extremely reasonable - like, $20 or so - and you get the red carpet experience, you get to meet the artists after the show, you get photos and stuff, and then all that money turns back into the local community. As well as, we're working with Vh1 Save The Music, Little Kids Rock, NAfME (National Association for Music Education) and all the money we raise will go back in to supporting those communities. It's pretty exciting to help inspire the next generation while I also get to live my dream at the same time.

Is there a favorite song you have to perform live?

You know, with this new record, I haven't really had a chance to perform it very much yet. I guess it's still varying, based on how I feel in each moment. I do really enjoy the song "Everything" and "Down By" and "End Of Time" and "Stand Up" [laughs]. There's a lot. I just love to sing!

What do you hope your listeners are able to take away from your music?

I think about this all the time, why me? Why am I so lucky that I get to make music and perform for people and what a gift that is, not only that I have this ability that I love to do so much, but that people will listen and participate? Just yesterday, it was so clear to me and I know this already and I say it and I see it, but yesterday, just clear as a bell, I was like, I want to make people feel good. I love to make people feel good. If that means that they listen to "Go On" and they know they're not alone or if they listen to "Love You To Lead" and they feel supported in the fact that, even though their life might be hard and they are facing horrible things, that they have a hand out there saying, 'yes, you can take the higher path and you aren't alone'. If there's a love song that makes you want to cozy up to your lover or partner or special person, just to make people feel good so they don't feel alone. Also, on stage, I just love to make people laugh. So if I can help people through their days and help them feel good, then I am doing what I'm meant to do for sure.

Is there anything you want to add?

I'm a Grammy voting member and, right now, the ballots have just come out and it is Grammy voting season for the first ballot and there are so many talented independent musicians out there that people don't know about or aren't aware of, so I think it would be really great if people would check at The Music Rag more often and if they listen to independent artists as much as they can and start supporting your local musicians, as well as people that just aren't a part of the big machine. Because they're out there, just giving their hearts and there's literally so much great music out there that doesn't get heard. I think it would be great if people made that effort, try listening to something new once a month even, or more!

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Eryn Woods by E

Catch up with rock/pop singer Eryn Woods, listen to her latest single "Rule-Breaker" and look for much more to come soon.

What first got you interested in music? 

Eryn Woods: I started singing when I started talking.... To be honest, all the childhood memories that I have, have something to do with music. I always knew that I wanted to be a rockstar and no one could change my mind. So I started working with my producer while I was in high school..... But once I graduated I ran away from home and moved to ATL to be closer to my producer so we could grow my fan base and start the full process of becoming a rock/pop star!!!!

Do you remember the first song you wrote that you were happy with?

The first song that I wrote was called "Freeway" and I basically wanted to let people know that I was FREE...... Free to be myself, Free to live my life the way I want to live it, etc....

Which musicians have you been influenced by?

I have been influenced by many artists across all different genres, but my main inspirations are Cyndi Lauper, Madonna, and Gwen Stefani!

If you were to make a playlist for your fans, which three songs - from other artists - would you have to include?

"Starboy" by The Weeknd, "Perfect Illusion" by Lady Gaga, and "Ain't My Fault" by Zara Larsson

What words would you use to describe your sound to someone who had never heard your music?

Fun, pop, encouraging, and a little rock n roll!!

What were your inspirations behind your single "Rule-Breaker"?

In this world we are all confined by “rules” but the ones that have been successful have known to “break the rules”, meaning doing something non-traditional. And I have been living my young adult life breaking the rules by being who I am and not who everyone else wants me to be. So, this song was made to pay homage to all those who were BRAVE enough to defy the rules!

Do you have plans to release a new album or EP?

Myself and my producer, Arc Danger, have been working on a new project (which includes "Rule-Breaker") for over a year now…. And it's something that is very special to us because we decided to write and produce it on our own. We have some major hits to follow up "Rule-Breaker" and I can’t wait to share the best music that I believe I have ever done!

What do you hope listeners are able to take away from your music?

To have fun, love and respect yourself, and that it's OK to be different!

Is there anything you want to add?

Love yourself first and always be YOURSELF!! BREAK THE RULES!!! 

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