The Ruiins by E

Catch up with Gold Coast-based two-piece The Ruiins (Adam Dooker and Pat Sugden) and listen to the duo's latest single, "Open Up Your Soul", out now.

What brought you together?

We've been mates since the early days of high school and have been playing music together since Year 11 in band with a bunch of our buddies. Adam was on the drums and Pat played the bass. It wasn't until about 2 years ago we started playing music as a two-piece and The RUIINS came about.

Where does your name, The Ruiins, come from?

It is a place in our home town of Forster-Tuncurry that is pretty special to the both of us. We chose it based on that and it has a certain ring to it too.

Which musicians have you been influenced by?

We have a large mix of influences between the two of us. The standouts would have to be Jack White, Matt Corby, Big Scary, and a lot of older stuff. Also just hearing/seeing our mates play is a massive influence to us too.

If you were to make a playlist for your fans, which three songs - from other artists - would you have to include?

"In The Summertime" - Mungo Jerry

"Rock Lobster" - The B-52's

"Surfin' Bird" - The Trashmen

Because life's about having a bloody good time.

How would you describe your sound to someone who had never heard your music?

Raw vocals with catchy melodies, a mix of sounds that'll get you moving. Something Janis Joplin would be in to.

What were your inspirations behind your single "Open Up Your Soul"?

"Open Up Your Soul" came from a simple jam session. Pat started playing the riff and we jammed along to it and the structure and vocal melodies came from there.

Do you have plans to release an EP or album?

Yes!! We are hoping to get an EP out soon :)

What do you hope listeners are able to take away from your music?

Our music is all about having a good time. We like to make people dance and tap their feet or even put a smile on their face. If we can bring people together to have a good time then we're happy.

Upcoming Tour Dates

4th Nov - Soundlounge, Gold Coast

5th Nov - Lakeside Festival, Foster

12th Nov - El Palmo Pacificano, Pacific Palms

24th Nov - Moonshine Bar, Manly

25th Nov - Waywards, Newtowm

26th Nov - RAD Bar, Wollongong

9th Dec - Gold Coast (TBC)

23rd Dec - Grow Your Own Festival

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Maria Taylor by E

Catch up with singer-songwriter Maria Taylor and listen to her new single "If Only" (featuring Conor Oberst) off her upcoming album In The Next Life, set for release December 9th on Flower Moon Records.

What first got you interested in music and in songwriting?

Maria Taylor: Oh man, going way back. Well, my dad is a musician and so, growing up, pretty much, music was the most prominent thing in my household; my mom and dad are both music lovers so they were playing records all the time and then my dad was in bands, so I would go to soundcheck and go see whatever shows of his I could see and he always had a guitar in his hand, no matter what he was doing. It was just such a huge part of my childhood. We had a little studio in the house and so I have so many recordings of me when I was little just singing and singing and singing, so it was just kind of a no-brainer. And then, writing songs, I got into, I guess, in my later teen years. It was a natural evolution, because I had been listening to songs and then, one day, I started to write my own.

Do you remember the first song you wrote?

The only ones that I really remember are the ones that Orenda Fink - she's the other girl in Azure Ray, my other band - and I wrote when she and I started playing when I was 15 and she was 16. We started a band together and the first song we wrote together was called "Follow You For Now" and I remember every word to it [laughs]. It was just a terrible little folky song but we were so proud of it and we sang it to anyone that would listen, even if they didn't want to listen [laughs]. We would just always have our guitar handy and we would play it. I did write songs before that, but I don't really remember. When she and I got together and we started our first band, I think that's when I really started to take it seriously and it wasn't just a hobby anymore; I knew it was what I wanted to do with my life.

Which musicians have you been influenced by?

So many of my friends. My first boyfriend - who is actually a really great friend of mine and my husband's now - he was an excellent songwriter and he's a great, great drummer and he taught me a whole lot; and the band that he was in at the time was called Remy Zero and they were from Alabama where I'm from and they really just taught me a lot about work ethic and songwriting and the importance of lyrics. I think my peers along the way have really taught me the most. I have a lot of really talented musician friends. I've played with them and we've all worked together and I've learned so much from that. [Laughs] I'm trying to go back over the past 40 years, but it seems like I've surrounded myself with a lot of musicians, just because of my work. I meet other band members on tour and then we become friends, so I just have so many musician friends and I have just learned so much from all of them.

How would you describe your sound as a solo artist now?

I don't know if this is a curse or if this is a good thing, but I feel like I've sounded the same my whole life. When I listen to some of the first songs I was writing when I was 15, even though my songwriting has gotten better because I've worked on it for 20 years, just my sound is so similar, so I think that's just inherent in me. I guess my sound is just 'me'; kind of folky, kind of pop-y. Because of the music my parents always listened to, lots of Beatles and things with a lot of pop sensibility, I just think that comes really natural to me, melodies that are just really hooky and pop-y, that's my thing. So, I guess just pop/folky [laughs]. I love harmonies. Also, I was a ballet dancer growing up and I think listening to classical music and dancing to it, that also influenced my music and, probably, my love for harmonies and string arrangements over my songs.

What were your inspirations behind your new single "If Only"?

I wrote it looking back at my life and it was hard, at first, when I wanted to write a new record, because I felt all this inspiration, but I didn't know what I wanted to write about. I'm married and I have kids and I live this really content, way more normal life than I ever had before, so I decided I was going to think back about my life and write from the perspectives of different times in my life. So, with this song, it's kind of how I dealt with a lot of things, like the death of one of my boyfriends and the breakups of others and friendships that have moved on and just the way I've always dealt with it: I've never been a sad person and I always just think, well, in the next life, maybe this will be better. I feel like we'll all have second chances from now. So, that's where it came from. I went back and was scouring through my past and all the things that didn't work out and that was the common theme of how I felt after all of these huge life [experiences].

Could you tell us more about your upcoming album In The Next Life and how it compares to your earlier work?

I guess, like I said before, I feel like all my records have this same - not that they all sound alike - but I definitely have my style and my voice and I feel like, even if I try, that never changes, so I think there is some continuity there. But, I don't know what it is, I feel more connected to this record than, maybe, any record I've ever put out. I don't know if I want to say it's my best one, but it feels really, really inspired to me and I feel like I took a long time off from thinking about music or writing - I've just been focusing on being the best mom I can be to my kiddies [laughs], my kiddos - and so I just feel like it was building up inside of me. When I was writing it, I felt like it was really charged with emotion and I think that did have a lot to do with that I was thinking back on my past and writing from different perspectives. And, just, the music was building up in me.

I guess that's the difference. I'm 40 and I've been doing this a long time and I just feel like I'm getting better at it [laughs] I'm really proud of this one. I feel like the songwriting is good and I also got a lot of help from friends. Like, one of my best friends, his name is Brad Armstrong, we went to high school together, and he's a great poet and I would just send him all my lyrics and be like, 'just read through these and tell me if something gets on your nerves or if you think that some part should be better,' and he really was so thorough with writing me back and saying, 'you know, maybe this line, you could go deeper, I don't really know exactly what you're saying,' or 'maybe don't say the word 'love', say something else that makes you think of love'. So, I felt like, because I'm always tired all the time and I'm trying to be a mom and do all these other things, that that just really helped me, because it was a challenge for me to have focus to finish a complete thought, so it was good for him to give me that feedback. And my friend, Nik Freitas, he and I produced it together, but he engineered and recorded it at his house and I love what he added and I had lots of friends come in and put little parts down or sing on it. So, I think it's just a really big reflection of my life and my friendships and where I have been and what I've become.

Is there one track off this record you would say you were most excited to share?

I was pretty excited about "If Only". That one, I had a skeleton of that song for a long, long time - for years - and I always, just for some reason, I wouldn't finish it and I would just put it back and then, when I had decided I was going to write a record, I just happened upon it. I was going through an old hard drive and it said, like, 'bedroom idea' or something and I was like, 'what is this?' and I listened and I was like, 'oh my god!'. I tried years ago to finish this and it just wasn't the right time and I knew, as soon as I heard it, that this was the time to finish it. I don't know, I think that one's a really good one - and I really love Conor's vocals on it. He wasn't even going to sing on that song, he was going to sing on another one, and he heard that one and he goes, 'I wanna sing on that one!' like, alright [laughs]. I wasn't really even thinking there was going to be a male voice and now I just think that that adds so much to the song. But, I really like all of them, I'm excited for you to hear all of them, for anyone to hear all of them.

How would you sum up In The Next Life in one sentence?

In one sentence, I would say that it is a reflection of my past and my present and maybe a glimpse into what my future will be. And, if I can make it two sentences [laughs], I also just think that it is a product of 20 years of working and learning my craft.

What do you hope listeners are able to take away from your music?

I just like for people to have an emotional response. I want them to let it ring true or I want them to relate to it. I want it to make them think about something in their life - or forget about something in their life, for a moment. Music is therapy, at least for me, I just hope that it can be the same for someone.

Is there anything you want to add?

Another thing that I'm very excited about with this record is that I've started my own record label and so it's going to come out on my own label, which is Flower Moon Records, and it's just another endeavor that my husband and I are doing together and I'm real excited about it.

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Joe Flowers by E

Catch up with London-based singer-songwriter and multi-instrumentalist Joe Flowers and listen to his latest single, "Misused", out now.

What first got you interested in music?

Joe Flowers: It’s been an interest of mine as far back as I can remember. When I was a kid, I loved watching Disney films like The Lion King, The Jungle Book, Aladdin, etc. and being drawn in by their soundtracks and how the music interacted with the visuals. I think those movies definitely played a part in sparking my interest in music from an early age.

Do you remember the first song you wrote that you were happy with?

I wrote a song called “Baby Steps” when I was a teenager that I was pretty happy with. It was at a time where all I seemed to write was ballads, but "Baby Steps" was definitely my favourite.

Which musicians have you been influenced by?

Tonnes and for different reasons. Great singers like Otis Redding, Aretha Franklin, Frank Sinatra and great songwriters like Elton John and David Bowie. Also, contemporary acts like Frank Ocean, Gallant, and NAO help shape my sound.

If you were to make a playlist for your fans, which three songs - from other artists - would you have to include?

“Nights” by Frank Ocean

“Moments of Pleasure” (Director’s Cut version)  by Kate Bush

“Sweet Gene Vincent” by Ian Dury and The Blockheads

How would you describe your sound to someone who had never heard your music?

Cinema pop.

What were your inspirations behind your single "Misused"?

Musically, I took a lot from the new wave of R&B artists that are around at the moment. Some older R&B artists like Maxwell and D’Angelo were influential with this song, too. Lyrically, I drew upon my own thoughts and moods; there is also a reference to a movie from the '70s somewhere in there.

Do you have plans to release an EP or album?

An EP perhaps, somewhere down the line. Just taking it single by single at the moment.

What do you hope listeners are able to take away from your music?

I hope they get from my music what I get from listening to other people’s music – catharsis.

Is there anything you want to add?

Thanks for the support!

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Towne by E

Catch up with country pop-rock duo Towne (Steevie Steeves and Jon Decious) and watch the video for their single "Runnin' Into You" from their debut EP, Games We Play, out now.

What got you interested in starting Towne?

Jon: Oh, wow. How much time've you got? Really, everything with Steevie and I was so natural. It started when we met randomly at this songwriters guild out in Wyoming and we learned that we were neighbors; so we're 1700 miles away from home, we found out we were neighbors, we got to be best friends, and we got back to Nashville and started writing songs. We were playing these songwriter nights, just out and around town, and they kind of get boring, but it's something you just have to do. So, we figured, as long as we're going to be bored, we might as well be bored together. So we started playing the songs that we would write together and we started playing out at these songwriter nights and people kept asking us, 'hey, what's you band name, where's y'alls CD, how do I find you online?' questions like that that you'd ask a band, and we were like, 'well, we're not really a band'. Eventually, when you hear something enough, you're like, 'well, alright, maybe we should start a band,' and that's what led us to having a band together and making records and things like that. It was a very natural process.

Steevie: Yeah, I second that [laughs].

Which musicians would you say that you have been influenced by?

Steevie: Oh, man, we're all over the place, for sure. I gravitate towards the heavy hitter women, those rocker chicks. I was really big into Heart - the Wilson sisters - and really big into The Cranberries and Alanis Morissette and, as far as songwriters, Carole King and just people that were totally badass but I could relate to. Linda Ronstadt, big fan of hers, too. They definitely had a big influence on me. And, obviously, Jon and I together, we have a mutual love and respect for Fleetwood Mac.

Jon: I've actually got a pretty funny story that helps sum all that up. So, Steevie had all of the stuff that she was super into that maybe I'd never heard or maybe that I had never given too much thought to, and I was the same way: I was a huge fan of The Stones and The Beach Boys and The Clash - I could go on and on and on with people that I'm fans of - and she had never really given them too much of a second thought. And, I'll never forget it, we were at my place on 8th Avenue at my apartment and I had just moved in and I didn't have much besides a futon couch and a record player and a big stack of records and she was going through my records, like, 'what the fuck is this, what the fuck is that?' [laughter] but the one that she stopped at, she said, 'oh my god, I love Rumours,' and I was like, 'oh my god, I love Rumours, too!'. And so we just listened to Rumours for the next week because that's the only thing we could agree on at that time.

Steevie: Well, he knew every word to every song - and so did I - and you know how people are like, 'oh, I love Fleetwood Mac!' and you're like, 'okay, whatever, you don't really'? You know, if you don't know all the words to something, it's hard for me to believe that you actually love it. But, word for word man, we were going at it. It was almost like a competition, like, what's the words to every song. It was good to find somebody that had a love for what you did, too.

Which words would you use to describe your own sound?

Jon: That's a hard one. Personally, because that's all I can speak for, I never really describe our sound to people, it's mostly people describing it to us, because all it sounds like to me is Jon and Steevie.

Steevie: Yeah, and it's definitely, we get it all the time, it's very honest. Honest is a good word to describe our music.

Jon: We get OneRepublic and we get Fleetwood Mac from people and people are always saying Lady Antebellum. We hear from other people and it's never one thing or the other, for sure, but they always just say, 'I've never heard anything that really sounds like you guys,' which I think is a huge compliment.

Steevie: Yeah, it's like an emotional rollercoaster. Which is kind of what our lives are like [laughs].

Jon: It's like The Young and The Restless.

[Laughter]

Steevie: It can be a challenge [to describe our sound] but our music is very reflective of our own personal experiences. We get it a lot, it's very honest and emotional and our harmonies are a little bit unique and we just try to lyrically present ourselves in the best way possible, kind of what we strive for.

What were your inspirations for your single and the video for "Runnin' Into You"?

Steevie: "Runnin' Into You", that was an easy video for us to do. Jon and I had dated for a small portion of our relationship together and we became exes, obviously; we're best friends now and we get along fine, but that song, once again, we pulled from our own personal life and we have to run into each other, pretty much, every single minute of the day [laughs]. But, we have a pretty good hold on it, we imagine that most people don't. "Runnin' Into You" was, we were just trying to portray that in the video, what we do daily: we're writing songs all the time but we write together and the whole song is based off of our lives, pretty much.

Jon: We have to see our exes every day.

Steevie: Yeah. We do [laughs].

Could you tell us more about your debut EP, Games We Play?

Jon: Again, it kind of goes back to our lives and the journey that we've had together, which has been very bizarre on a lot of levels, but I think relatable on a lot of other ones. We were making this record and thinking about what songs to choose and we wound up with these. We had this batch of songs and it really felt good, because it felt like a story that maybe a lot of people were living, but not a lot of people were talking about. Whether you have to see your ex, work with your ex, or just whatever's happening in our lives, I think is probably happening in a lot of other lives, but that story's not getting told very often, I don't think - or at least, I haven't heard it if it is.

Steevie: Mhmm. It's easy, when you live in Nashville, to fall in the cracks of the same old sound. I think a lot of people are sounding the same in country music and being very pigeonholed. We definitely didn't fit in with that mainstream, but we still have really great songs, so we definitely wanted to have our own style and our own take and, luckily, our producer let us have a say, creatively, on the whole project - and will in the future, as well. We definitely don't want to conform to any certain style that isn't us.

Jon: Yeah. And that's maybe going back to your original question. We get asked a lot, how did we come up with the band name Towne? Honestly, in Nashville, we're kind of like a band without a country: we're not Americana and we're not mainstream country radio, so we're kind of just somewhere floating on the river that runs between East and West Nashville and that's where we're coming from. We think that there's a lot of space in between those two extremities and we're like, well, let's just be that, because that's who we are. We're not super duper pop and we're not super duper broken down Americana or any of that, so we're just Jon and Steevie, right in the middle.

Steevie: We're in town.

Jon: We're in town, we're not in the city or the country, we're in town.

Is there a track off of that record you would call your favorite?

Steevie: We actually just shot a music video for a song off the EP called "The One I Love" and it is one of my favorites to perform and I think that the video is really going to make people think. It's got a great concept and there's a lot of depth to it and it's kind of my favorite right now, but it always changes. Jon sings a song, it's the last track on the EP ["The Rest"], and it's one of those showstoppers for us 'cause he takes the lead, vocally, and it's a non-love song, but it's a love song. Which is how a lot of our songs are [laughs]. We talk about love a lot. But, that's my favorite to perform, just because I get to hear Jon do all the work [laughs]. It's a good song.

Jon: I kind of like them all. I really like the song "Messed Up", personally, because it was a song that we had just, pretty much, got the idea for when we went into the studio and we didn't know how it was going to turn out and I think it surpassed all of our expectations and I just love when that happens. I love them all, but if I had to pin one down over the other, I'd probably say that, just for that reason.

Could you sum up Games We Play in one sentence?

Jon: Hmm, yes. Low maintenance, high standards.

[Laughter]

Steevie: We've been saying that a lot. We actually want to come out with a T-shirt that says that. 'Cause Jon and I we're always on the road and it's usually the two of us in a shitty car...

Jon: Well, the whole story came from something Steevie said. She was talking about something and she got frustrated and she says, 'dammit! I might be low maintenance, but I've got high standards,' and we just laughed.

Steevie: 'Cause the songs came from a very real, honest part of our lives and it's just me and him on a guitar, for the most part, but when we went into the studio, we said, 'let's make this the best it can possibly be on a beer budget,' which is what we did. We're definitely low maintenance with high standards, that's it, that's how our music is.

What do you hope listeners are able to take away from your music?

Jon: I just hope that they like it enough to keep listening.

Steevie: We have a bizarre story, but we're pretty average people stuck in a bizarre world and we happen to have a handle on it enough to where we can write out our feelings that maybe most people don't have the nerve to do themselves. I think it's great therapy to feel like you're not alone when you think you're in a chaotic place in your life or whatever. Hopefully, people can sit and listen and relate to it and connect and come along with us on our journey, because it's about to get bigger and we got a lot more shit to say [laughs].

Jon: Steevie never runs out of shit to say.

[Laughter]

Is there anything you want to add?

Jon: Check out our EP, check out our socials and our website, and just be sure to keep an eye out for us when we're on the road and come see us when we're in your town.

Steevie: When Towne comes to town.

Jon: That's right.

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